Hollywood (Los Angeles, Calif.) -- Fiction; Motion picture industry -- Fiction
There had been times lately when, upon his tree bench, he would try
to dramatize Mrs. Patterson as a woman with a soft heart under that
polished society exterior, chilled by daily contact with other society
people at the Iowa or Kansas or other society picnics, yet ready to melt
at the true human touch. But he had never quite succeeded in this bit
of character work. Something told him that she was cold all through, a
society woman without a flaw in her armour. He could not make her seem
to listen patiently while he explained that only one company was now
shooting on the lot, but that big things were expected to be on in
another week or so. A certain skeptic hardness was in her gaze as he
visioned it.
He decided, indeed, that he could never bring himself even to attempt
this scene with the woman, so remote was he from seeing her eye soften
and her voice warm with the assurance that a few weeks more or less
need not matter. The room rent, he was confident, would have to be paid
strictly in advance so long as their relations continued. She was the
kind who would insist upon this formality even after he began to play,
at an enormous salary, a certain outstanding part in the Hazards of
Hortense. The exigencies, even the adversities, of art would never make
the slightest appeal to this hardened soul. So much for that. And daily
the hoard waned.
Yet his was not the only tragedy. In the waiting room, where he now
spent more of his time, he listened one day to the Montague girl chat
through the window with the woman she called Countess.
“Yeah, Pa was double-crossed over at the Bigart. He raised that lovely
set of whiskers for Camillia of the Cumberlands and what did he get for
it?--just two weeks. Fact! What do you know about that? Hugo has him
killed off in the second spool with a squirrel rifle from ambush, and Pa
thinking he would draw pay for at least another three weeks. He kicked,
but Hugo says the plot demanded it. I bet, at that, he was just trying
to cut down his salary list. I bet that continuity this minute shows Pa
drinking his corn out of a jug and playing a fiddle for the dance right
down to the last scene. Don’t artists get the razz, though. And that
Hugo, he’d spend a week in the hot place to save a thin dime. Let me
tell you, Countess, don’t you ever get your lemon in his squeezer.”
There were audible murmurs of sympathy from the Countess.
Public-domain text, read in full here on John Shaqi.
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