Mesopotamian Archaeology: An introduction to the archaeology of Mesopotamia and AssyriaHandcock, Percy S. P. (Percy Stuart Peache)
History
Mesopotamian Archaeology: An introduction to the archaeology of Mesopotamia and Assyria
Handcock, Percy S. P. (Percy Stuart Peache)
Iraq -- Antiquities
posture, the lips being represented by two slanting lines, while the
series of characters in the centre illustrates the various forms the
sign has assumed on the bricks and monuments, and the arrangement shows
the process whereby the original hieroglyph gradually discarded all
trace of its pictorial origin, and became a cursive stereotyped sign the
principal value of which is “mouth.” Below we have another rude picture
of a man’s head, but on this occasion he wears a beard, which would
suggest a full-grown man; hence the meaning of the Assyrian ideograph
is “strength,” “be strong,” or “protection.” In figure “E” there is
a representation of a potted plant: this sign, instead of becoming
simpler as it makes each progressive step towards cuneiform, becomes
paradoxically more complex, until it finally subsides and assumes its
normal cursive form, the principal value for which is “cypress-tree.”
Below (“F”) two plants are seen, growing likewise in a pot: the
progress is again obvious, the meanings of the ideogram being “plant”
and “garment”; this latter meaning is probably attached to the sign
through the use of flax as a material for clothing. “G” appears to be
a tree growing by water; the late cuneiform sign has numerous values,
but none of them suggest any immediate connection with the obvious
signification of the picture-character from which it was developed. “H”
gives us a picture of a reed, the late cuneiform character being the
ideogram for “kanu” which means a “reed.”
[Illustration: FIG. 1.—From Harper’s _Old Testament and Semitic
Studies_, Vol. II, pp. 241 ff.—_By permission_.]
In Fig. 2, “Q” we have a picture of a fish; the meaning of the Assyrian
ideogram derived from it are a “fish,” to “peel” (from preparing a fish
for eating), the god Ea, on account of his sometimes being represented
in the form of a fish, and finally a “prince,” and “great” from its
association with Ea. Below (“R”) is another fish, provided with what
appears to be a dorsal fin, hence the signification of the Assyrian sign
is “broad” or a “monster.”
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