English fiction -- 20th century; Man-woman relationships -- Fiction; Murder -- Fiction; Short stories, English; Teenagers -- Fiction
“Darling, don’t you remember your early days together? The little
things--little jokes, and allusions, and happinesses shared together?
Does one ever forget?”
“_No._”
Mary sobbed. “But I can’t go back to him.”
I think that here, if my grandmother gave her a chance, she probably
did make one--or part of one--of the speeches that she long afterwards
quoted to me.
She was intensely unhappy. Robert did not understand her, and she could
not live in an unsympathetic atmosphere. She should go mad. All that
she had ever asked of life was peace, beautiful surroundings, and the
ideal companion.... If she went back to Robert now, after having found
courage to make the break, it would be a repetition of the misery that
had broken her heart during the past three years.
(The hearts of my mother and grandmother both suffered innumerable
breakages throughout their lives, neither of them ever seeming aware of
the physiological absurdity of the expression.)
“It’s braver to stay away than to go back and try and patch up
something that can never be anything but a failure,” quavered Mary,
with a momentary flash of insight.
But of course grandmother couldn’t leave it at that. She had the
justification of her own existence to think of, for one thing. I am
quite sure that a fortuitous street-musician, rendering “Santa Lucia”
or “Silver Threads Amongst the Gold” in the distance, would have broken
down Mary’s frail barrier of honest thought, and have materially
assisted my grandmother to her victory. Accessories were so absolutely
essentials, to them both.
But so far as I know, grandmother had to win on points, as it were, and
received no extraneous help in the shape of sentimental appeals from
without.
She made her supreme effort.
“For the boy’s sake, Mary ... your little, little boy. Is he to be
motherless?”
“Wouldn’t Robert let me have him?”
“No, my dear. How could he? I myself--the mother that bore you, Mary--I
couldn’t think it right that a woman who had deliberately deserted her
husband and home should have the care of a little, innocent child.”
“Oh, my baby!”
She sobbed and cried, but she had not yet capitulated. Grandmother,
however, had gauged pretty accurately the force of the baby-_motif_.
“Before I came away, on my long, lonely journey,” she said slowly, “I
went up to the nursery, to say good-bye to Bobbie. He had on his blue
overall--the one you embroidered for him last summer, Mary--was it only
last summer?--and he was playing with his engine, on the nursery floor,
his dear, round face was so solemn....”
“Oh, don’t--don’t----”
But grandmother, the tears streaming from her eyes, relentlessly
continued: “Darling, his big blue eyes looked up at me, and his little
voice asked: ‘_Where’s Mummie?_’”
Did grandmother’s--even grandmother’s--conscience misgive her, at the
quotation? That it was verbally correct, I have no doubt--but what of
the intonation?
Public-domain text, read in full here on John Shaqi.
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