Messengers of Evil: Being a Further Account of the Lures and Devices of FantômasSouvestre, Pierre
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Messengers of Evil: Being a Further Account of the Lures and Devices of Fantômas
Souvestre, Pierre
Detective and mystery stories; Fantômas (Fictitious character) -- Fiction
"No, madame."
"No one has telephoned from the Barbey-Nanteuil Bank?"
"No, madame."
Repressing a slight feeling of annoyance, Madame de Vibray changed the
subject:
"You will have dinner served as soon as the guests arrive. They will not
be later than half-past seven, I suppose."
Antoine bowed solemnly, vanished into the anteroom, and from thence
gained the servants' hall.
Madame de Vibray quitted the small drawing-room. Traversing the great
gallery with its glass roof, encircling the staircase, she entered the
dining-room. Covers were laid for three.
Inspecting the table arrangements with the eye of a mistress of the
house, she straightened the line of some plates, gave a touch of
distinction to the flowers scattered over the table in a conventional
disorder; then she went to the sideboard, where the major-domo had left
a china pot filled with flowers. With a slight shrug, the Baroness
carried the pot to its usual place--a marble column at the further end
of the room:
"It was fortunate I came to see how things were! Antoine is a good
fellow, but a hare-brained one too!" thought she.
Madame de Vibray paused a moment: the light from an electric lamp shone
on the vase and wonderfully enhanced its glittering beauty. It was a
piece of faience decorated in the best taste. On its graceful form the
artist had traced the lines of an old colour print, and had scrupulously
preserved the picture born of an eighteenth-century artist's
imagination, with its brilliancy of tone and soft background of tender
grey. Madame de Vibray could not tear herself away from the
contemplation of it. Not only did the design and the treatment please
her, but she also felt a kind of maternal affection for the artist:
"This dear Jacques," she murmured, "has decidedly a great deal of
talent, and I like to think that in a short time his reputation...."
Her reflections were interrupted by the servant. The good Antoine
announced in a low voice, and with a touch of respectful reproach in his
tone:
"Monsieur Thomery awaits the Baroness in the small drawing-room: he has
been waiting ten minutes."
"Very well. I am coming."
Madame de Vibray, whose movements were all harmonious grace, returned by
way of the gallery to greet her guest. She paused on the threshold of
the small drawing-room, smiling graciously.
Framed in the dark drapery of the heavy door-curtains, the soft light
from globes of ground glass falling on her, the Baroness de Vibray
appeared a very attractive woman still. Her figure had retained its
youthful slenderness, her neck, white as milk, was as round and fresh as
a girl's; and had the hair about her forehead and temples not been
turning grey--the Baroness wore it powdered, a piece of coquettish
affection on her part--she would not have looked a day more than thirty.
Monsieur Thomery rose hastily, and advanced to meet her. He kissed her
hand with a gallant air:
Public-domain text, read in full here on John Shaqi.
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