I journeyed to southern California where I had not been since my
service in one of the wars. I had never really explored that exotic
land and I was curious about it, more curious than I have ever been
before or since about any single part of the world. Egypt one knows
without visiting it, and China the same; but that one area of sandy
beaches and orange groves which circles the city of Los Angeles, an
artificial place created from desert and sure to lapse back again into
dust the moment some national disaster breaks its line of life and the
waters no longer flow, has always fascinated me.
I was of course interested in the movies, though they no longer had
the same hold over the public imagination that they had had in earlier
decades when a process of film before light could project, larger
than life, not only on vast screens but also upon the impressionable
minds of an enormous audience made homogeneous by a common passion,
shadowy figures which, like the filmy envelopes of the stoic deities,
floated to earth in public dreams, suggesting a braver more perfect
world where love reigned and only the wicked died. But then time
passed and the new deities lost their worshipers: there were too many
gods and the devotees got too used to them, realizing finally that
they were only mortals, involved not in magical rites but in a sordid
business. Television (the home altar) succeeded the movies and their
once populous and ornate temples, modeled tastefully on baroque and
Byzantine themes, fell empty, the old gods moving to join the new
hierarchies, becoming the domesticated godlings of television which,
although it held the attention of the majority of the population,
did not enrapture, did not possess dreams or shape days with longing
and with secret imaginings the way the classic figures of an earlier
time had. Though I was of an age to recall the gallant days of the
movies, the nearly mythical power which they had held for millions of
people, not all simple, I was not really interested in that aspect of
California. I was more intrigued by the manners, by the cults, by the
works of this coastal people so unlike the older world of the East and
so antipathetic to our race’s first home in Europe. Needless to say, I
found them much like everyone else, except for minor differences of no
real consequence.
I stayed at a large hotel not too happily balanced in design between
the marble-and-potted-palm décor of the Continental Hotel in Paris and
the chrome and glass of an observation car on a newer train.
Public-domain text, read in full here on John Shaqi.
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