Hastings crept back among us, diffidently pushing a star and a
producer in our direction. “I think you all ought to know each other,
Clarissa ... and, ah, Gene too. This is Miss ... and Mr ... and here
in Hollywood ... when you get to New York ... house on the river,
wonderful, old ... new film to cost five million ... runner-up for the
Academy Award.” He did it all very well, I thought. Smiles gleamed in
the patio’s half-light. The star’s paste jewels, borrowed from her
studio, glimmered like an airliner’s lighted windows. I moved toward
the house, but Clarissa’s high voice restrained me at the door: “You’ll
call Iris tomorrow, won’t you?” and she shouted an exchange and a
number. I waved to show that I’d heard her then, vowing I would never
telephone Iris, I rejoined the party and watched with fascination
as the various performers performed in the living room to the
accompaniment of a grand piano just barely out of tune.
3
I waited several days before I telephoned Iris. Days of considerable
activity, of visiting friends and acquaintances, of attending parties
where the guests were precisely the same as the ones I had met at
Hastings’ house: every one of them bent upon combating boredom with
boredom, creating a desert in a dry land. But I was capable of evoking
mirages which decorated for me _their_ desert, made unusual (for myself
at least) what, with familiarity, might become impossible.
I met Iris at the house where she was staying near the main beach of
Santa Monica: a fairly decorous Spanish house, quiet among palms and
close to the sea. The day was vivid; the sea made noise; the wind was
gentle, smelling of salt and far countries.
I parked my rented car and walked around to the sea side of the house.
Iris came forward to meet me, smiling, hand outstretched, her face
which I had remembered as being remarkably pale was flushed with
sunlight.
“I hoped you’d come,” she said, and she slipped her arm in mine as
though we’d been old friends and led me to a deck chair adjoining the
one where she’d been seated, reading. We sat down. “Friends let me have
this place. They went to Mexico for two months and lent me the house.”
“Useful friends.”
“Aren’t they? I’ve already put down roots here in the sand and I’ll
hate to give it back.”
“Don’t.”
“Ah, wouldn’t it be wonderful.” She smiled vaguely and looked beyond me
at the flash of sea in the flat distance. An automobile horn sounded
through the palms; a mother called her child: we were a part of the
world, even here.
“Clarissa told me you’ve been out several months.”
Iris nodded. “I came back. I think I told you I was going to.”
“To see the man?”
“Would you like something to drink?” She changed the subject with a
disconcerting shift of her gaze from the ocean to me, her eyes still
dazzled with the brilliance of light on water. I looked away and shook
my head.
Public-domain text, read in full here on John Shaqi.
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