Last night the noise of my heart’s beating kept me awake until nearly dawn. Then, as the gray warm light of the morning patterned the floor, I fell asleep and dreamed uneasily of disaster, my dreams disturbed by the noise of jackals, by that jackal-headed god who hovers over me as these last days unfold confusedly before my eyes: it will end in heat and terror, alone beside a muddy river, all time as one and that soon gone. I awakened, breathless and cold, with a terror of the dying still ahead. After coffee and pills, those assorted pellets which seem to restore me for moments at a time to a false serenity, I put aside the nightmare world of the previous restless hours and idly examined the pages which I had written with an eye to rereading them straight through, to relive again for a time the old drama which is already, as I write, separating itself from my memory and becoming real only in the prose: I think now of these events as I have told them and not as they occur to me in memory. For the memory now is of pages and not of scenes or of actual human beings still existing in that baleful, tenebrous region of the imagination where fancy and fact together confuse even the most confident of narrators. I have, thus far at least, exorcised demons, and to have lost certain memories to my narrative relieves my system, like a cancer cut whole from a failing organism. The boy brought me my morning coffee and the local newspaper whose Arabic text pleases my eye though the sense, when I do translate it, is less than strange. I asked the boy if Mr. Butler was awake and he said he had gone out already: these last few days I have kept to my room even for the evening meal, delaying the inevitable revelation as long as possible. After the boy left and while I drank coffee and looked out upon the river and the western hills, I was conscious of a sense of well-being which I have not often experienced in recent years. Perhaps the work of evoking the past has, in a sense, enhanced the present for me. I thought of the work done as life preserved, as part of me which will remain. Then, idly, I riffled the pages of John Cave’s Testament for the first time since I had discovered my name had been expunged. The opening was the familiar one which I had composed so many years before in Cave’s name. The time of divination: a straightforward account of the apparent wonders which had preceded the mission. No credence was given the supernatural but a good case was made (borrowed a little from the mental therapists) for the race’s need of phenomena as a symptom of unease and boredom and anticipation. I flicked through the pages. An entire new part had been added which I did not recognize: still written as though by Cave but, obviously, it could not have been composed until at least a decade after his death.