_More to the point, however, was the attitude of our intellectuals who
constituted at this time a small, militantly undistinguished minority,
directly descended in spirit if not in fact from that rhetorical
eighteenth-century Swiss whose romantic and mystical love for humanity
was magically achieved through a somewhat obsessive preoccupation with
himself. His passion for self-analysis flourished in our mid-century,
at least among the articulate few who were capable of analysis and who,
in time, like their great ancestor, chose the ear of the world for
their confessional._
_Men of letters lugubriously described their own deviations (usually
apolitical or sexual, seldom aesthetic), while painters worked
devotedly at depicting unique inner worlds which were not accessible
to others except in a state of purest empathy hardly to be achieved
without a little fakery in a selfish world. It was, finally, the
accepted criterion that art’s single function was the fullest
expression of a private vision ... which was true enough though the
visions of men lacking genius are not without a certain gloom. Genius,
in this time, was quite as rare as in any other and, to its credit, it
was not a self-admiring age ... critics found merit only in criticism,
a singular approach which was to amuse the serious for several decades._
_Led by artists, the intellectuals voiced their guilt at innumerable
cocktail parties where it was accepted as an article of faith that
each had a burden of guilt which could, once recognized, be exorcised;
the means of recognition were expensive but rewarding: a trained
and sympathetic listener would give the malaise a name and reveal
its genesis; then, through confession (and occasionally “reliving”)
the guilt would vanish along with asthma, impotence and eczema. The
process, of course, was not easy. To facilitate therapy, it became
the custom among the cleverer people to set aside all the traditional
artifices of society so that both friends and strangers could confess
to one another their worst deeds, their most squalid fantasies in a
series of competitive monologues conducted with arduous sincerity and
surprisingly successful on every level but that of communication._
_I am sure that this sort of catharsis was not entirely valueless: many
of the self-obsessed undoubtedly experienced relief when dispensing
secrets ... it was certainly an instructive shock for them to find that
even their most repellent aberrations were accepted quite perfunctorily
by strangers too intent on their own problems to be outraged, or even
very interested. This discovery was not always cheering. There is a
certain dignity and excitement in possessing a dangerous secret life.
To lose it in maturity is hard ... and once promiscuously shared, it
does become ordinary, no more troublesome than obvious dentures._
Public-domain text, read in full here on John Shaqi.
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