Now, if we compare the Cambridge results with those obtained by other experimenters, the conclusion we draw from these documents becomes more precise. I refer my readers to the reports of the experiments at Milan (_Ann. des Sc. Psych._, 1893), and at l’Agnélas (_Ibid._ 1896). I will only dwell upon my personal experience with Eusapia. I experimented with this medium in 1895, 1896, and 1897, and I obtained undeniable phenomena with her. Like other Continental experimenters, I tried to put Eusapia at her ease, to win her confidence and sympathy; and the results of my seances were convincing. At l’Agnélas, out of seance hours, and in full light, I saw the table raised to the height of my forehead. Every one was standing up, Eusapia’s hands were held and seen; her left hand, held by me, rested on the right angle of the table. At Choisy, in 1897, we received doubtful phenomena, notably the _apport_ of a carnation which appeared most suspicious to us; but we spoke openly of our doubts to Eusapia. At other times the phenomena were of extraordinary intensity. One afternoon, Sunday, 11th October, all the sitters, even those furthest away from the medium, were touched. But it was at Bordeaux, perhaps, in 1897 that the phenomena were most intense. I find in my notes—which are not, and make no claim to be, reports—the following recital:— ‘P. is vigorously touched. Eusapia gives him the control of her hands and feet. P. receives slaps in the back every time Eusapia presses his foot. The noise is distinctly heard. P.’s chair is shaken and drawn from under him. Eusapia rubs her feet on the floor, to give fluid, she says. Finally P.’s chair is slowly carried on to the seance-table. The persons (Dr. Denucé, Madame A., and I) for whom P. is between the table and the window (a light from outside streams through the Persian shutters) see the chair very clearly outlined on the window (a large bay, six feet wide). After having been placed on the table, the chair is taken back to the floor, and, a second time, carried on to the table. The movements were slowly produced; while they were being produced, the hands, feet, and head of the medium were under control. If any part of the medium’s body had touched the chair, the contact would have been seen on the silhouette of the chair, the latter standing out well against the lighted-up window. While the chair is in movement P. is crouching down on his heels; he is touched on the back, his garments are pulled, he is tickled; at the same time the table is levitated. _These three manifestations were produced simultaneously._’