All the seven colours of the rainbow flared, cold and ghost-like
in silently swinging circles. The enormous face of the clock on
the New Tower of Babel was bathed in the glaring cross-fire of the
searchlights. And over and over again from the pale, unreal-looking
sky, dripped the word: Yoshiwara.
Freder’s eyes hung on the clock of the New Tower of Babel, where the
seconds flashed off as sparks of breathing lightning, continuous in
their coming as in their going. He calculated the time which had passed
since the voice of Metropolis had roared for food, for food, for food.
He knew that behind the throbbing second flashes on the New Tower of
Babel there was a wide, bare room with narrow windows, the height
of the walls, switch-boards on all sides, right in the centre, the
table, the most ingenious instrument which the Master of Metropolis had
created, on which to play, alone, as solitary master.
On the plain chair before it, the embodiment of the great brain:
the Master of Metropolis. Near his right hand the sensitive blue
metal plate, to which he would stretch out his right hand, with the
infallible certainty of a healthy machine, when seconds enough had
flicked off into eternity, to let Metropolis roar once more—“for food,
for food, for food—”
In this moment Freder was seized with the persistent idea that he would
lose his reason if he had, once more, to hear the voice of Metropolis
thus roaring to be fed. And, already convinced of the pointlessness of
his quest, he turned from the spectacle of the light crazy city and
went to seek the Master of Metropolis, whose name was Joh Fredersen and
who was his father.
CHAPTER II
The brain-pan of the New Tower of Babel was peopled with numbers.
From an invisible source the numbers dropped rhythmically down through
the cooled air of the room, being collected, as in a water-basin, at
the table at which the great brain of Metropolis worked, becoming
objective under the pencils of his secretaries. These eight young men
resembled each other as brothers, which they were not. Although sitting
as immovable as statues, of which only the writing fingers of the right
hand stirred, yet each single one, with sweat-bedewed brow and parted
lips, seemed the personification of Breathlessness.
No head was raised on Freder’s entering. Not even his father’s.
The lamp under the third loud-speaker glowed white-red.
New York spoke.
Joh Fredersen was comparing the figures of the evening exchange
report with the lists which lay before him. Once his voice sounded,
vibrationless:
“Mistake. Further inquiry.”
The first secretary quivered, stooped lower, rose and retired on
soundless soles. Joh Fredersen’s left eyebrow rose a trifle as he
watched the retreating figure—only as long as was possible without
turning his head.
A thin, concise pencil-line crossed out a name.
Public-domain text, read in full here on John Shaqi.
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