And not a soul, not a soul in the white rooms. The machines, these
god-machines, left terribly alone. And they were all living—yes they
were really living—an enhanced, an enflamed life.
For Metropolis had a brain.
Metropolis had a heart.
The heart of the machine-city of Metropolis dwelt in a white,
cathedral-like building. The heart of the machine-city of Metropolis
was, until this day and this hour, guarded by one single man. The heart
of the machine-city of Metropolis was a machine and a universe to
itself. Above the deep mysteries of its delicate joints, like the sun’s
disc—like the halo of a divine being—stood the silver-spinning wheel,
the spokes of which appeared in the whirl of revolution, as a single,
gleaming, disc.
No machine in all Metropolis which did not receive its power from this
heart.
One, single lever controlled this marvel of steel.
With the lever set to “Safety” all the machines would play with their
curbed power, like tame animals. The shimmering spokes of the sun-wheel
would circle, clearly to be distinguished, above the Heart-machine.
With the lever set to “6”—and it was generally set there—then work
would spell slavery. The machines would roar. The powerful wheel of the
Heart-machine would hang, an apparently motionless mirror of brightest
silver, above it. And the mighty thunder of the machines, produced by
the heart-beat of this one, would arch itself, a second heaven, above
Metropolis, Joh Fredersen’s city.
But never, as yet, since the construction of Metropolis, had the lever
been set to “12.”
Now it was set to “12.” Now the lever was set to “12.” A girl’s hand,
more delicate than glass, had pressed around the weighty lever, which
was set to “Safety,” until it touched “12.” The heart of Metropolis,
Joh Fredersen’s great city had begun to run up a temperature, seized by
a deadly illness, chasing the red waves of its fever along to all the
machines which were fed by its pulse.
No machine in all Metropolis which did not receive its power from this
heart.
Then all the god-machines were taken with the fever....
From the Towers of Silence there broke forth the vapour of
decomposition. Blue flames hovered in the space above them. And the
towers, the huge towers, which used otherwise to turn about but once in
the course of the day, tottered around on their pedestals in a drunken,
spinning dance, full to bursting point.
Mahomet’s curved sword was as circular lightning in the air. It met
with no resistance, it cut and cut. It grew angry because it had
nothing to cut. The power which, squandered too uselessly, was still
increasing, now gathered itself together and, hissing, sent out snakes,
green, hissing snakes, in all directions.
From the projecting arms of the crosses of Golgotha there swept long,
white, crackling springs of sparks.
Public-domain text, read in full here on John Shaqi.
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