Swaying under impacts which had shaken the earth itself, the
unslain, the man-crushing car of Juggernaut began to glide, began to
roll—checked itself, hanging crookedly on the platform—trembled like
a ship, perishing on the rocks, lashed by the breakers—and shook
itself free, amidst groans.
Then, from their glittering thrones, Baal and Moloch, Huitzilopochtli
and Durgha arose. All the god-machines got up, stretching their limbs
in a fearful liberty. Huitzilopochtli shrieked for the jewel-sacrifice.
Durgha moved eight murderous arms, crackling the while. Hungry fires
smouldered up from the bellies of Baal and Moloch, licking out of
their jaws. And, roaring like a herd of a thousand buffaloes, at being
cheated of a purpose, Asa Thor swung the infallible hammer.
A lost grain of dust among the soles of the gods, Freder reeled his way
through the white rooms, the roaring temples.
“Father—!!” he shouted.
And he heard the voice of his father:
“Yes!—Here I am!—What do you want?—Come here to me!”
“Where are you?”
“Here—!”
“But I can’t see you—!”
“You must look higher!”
Freder’s gaze flitted through the room. He saw his father standing on
a platform, between the outstretched arms of the crosses of Golgotha
from the ends of which long, white, crackling sprigs of sparks blazed.
In the hellish fires his father’s face was as a mask of unmistakable
coldness. His eyes were blue-gleaming steel. Amidst the great, raving
machine-gods, he was a greater god, and lord of all.
Freder ran over to him, but he could not get up to him. He clung to the
foot of the flaming cross. Wild impacts crashed through the New Tower
of Babel.
“Father—!” shrieked Freder. “Your city is going to ruin—!”
Joh Fredersen did not answer. The sweeping sprigs of flame seemed to be
breaking from his temples.
“Father—! Don’t you understand—? Your city is going to ruin!—Your
machines have come to life!—They are dashing the town to pieces!—They
are tearing Metropolis to tatters!—Do you hear—? Explosion after
explosion—! I have seen a street in which the houses were dancing upon
their shattered foundations—just like little children dancing upon
the stomach of a laughing giant.... A lava-stream of glowing copper
poured itself out from the split-open tower of your boiler-factory,
and a naked man was running before it, a man whose hair was charred
and who was roaring: ‘The end of the world has come—!’ But then he
stumbled and the copper stream overtook him.... Where the Jethro works
stood, there is a hole in the earth which is filling up with water.
Iron bridges are hanging in shreds between towers which have lost their
entrails, cranes are dangling on gallows like men hanged. And the
people, incapable of flight as of resistance, are wandering about among
houses and streets, both of which seemed doomed....”
He clasped his hands about the stem of the cross and threw his head
back into his neck, to see his father quite clearly, quite openly in
the face.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account