But high above the deserts and the spaces, to which creation was burnt,
the stars of heaven danced the solemn mighty dance.
Then, from the grey, scattered ashes, on trembling wings unspeakably
beautiful and solitary, rose a bird with jewelled feathers. It uttered
a mournful cry. No bird which ever lived could have mourned so
agonisingly.
It hovered above the ashes of the completely ruined earth. It hovered
hither and thither, not knowing where to settle. It hovered above the
grave of the sea and above the corpse of the earth. Never, since the
sinning angel fell from heaven to hell, had the air heard such a cry of
despair.
Then, from the solemn mighty dance of the stars, one freed itself and
neared the dead earth. Its light was gentler than moonlight and more
imperious than the light of the sun. Among the music of the spheres it
was the most heavenly note. It enveloped the mourning bird in its dear
light; it was as strong as a deity, crying: “To me ... to me!”
Then the jewelled bird left the grave of the sea and earth and gave
its sinking wings up to the powerful voice which bore it. Moving in
a cradle of light, it swept upwards and sang, becoming a note of the
spheres, vanishing into Eternity....
Freder let his fingers slip from the keys. He bent forward and buried
his face in his hands. He pressed his eyes until he saw the fiery dance
of the stars behind his eye-lids. Nothing could help him—nothing.
Everywhere, everywhere, in an agonising, blissful omnipresence, stood,
in his vision, the one countenance.
The austere countenance of the virgin, the sweet countenance of the
mother—the agony and the desire with which he called and called for
the one single vision for which his racked heart had not even a name,
except the one, eternal, you ... you ... you...!
He let his hands sink and raised his eyes to the heights of the
beautifully vaulted room, in which his organ stood. From the sea-deep
blue of the heavens, from the flawless gold of the heavenly bodies,
from the mysterious twilight around him, the girl looked at him with
the deadly severity of purity, quite maid and mistress, inviolability,
graciousness itself, her beautiful brow in the diadem of goodness,
her voice, pity, every word a song. Then to turn, and to go, and to
vanish—no more to be found. Nowhere, nowhere.
“You—!” cried the man. The captive note struck against the walls,
finding no way out.
Now the loneliness was no longer bearable. Freder stood up and opened
the windows. The works lay, in quivering brightness, before him. He
pressed his eyes closed, standing still, hardly breathing. He felt the
proximity of the servants, standing silently, waiting for the command
which would permit them to come to life.
Public-domain text, read in full here on John Shaqi.
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