He had hesitated a long time before opening the door. For a weird
existence went on behind that door. There was howling. There was
panting. There was whistling. The whole building groaned. An incessant
trembling ran through the walls and the floor. And amidst it all there
was not one human sound. Only the things and the empty air roared. Men
in the room on the other side of this door had powerless sealed lips.
But for these men’s sakes Freder had come.
He pushed the door open and then fell back, suffocated. Boiling air
smote him, groping at his eyes that he saw nothing. Gradually he
regained his sight.
The room was dimly lighted and the ceiling, which looked as though it
could carry the weight of the entire earth, seemed perpetually to be
falling down.
A faint howling made breathing almost unbearable. It was as though the
breath drank in the howling too.
Air, rammed down to the depths, coming already used from the lungs of
the great Metropolis, gushed out of the mouths of pipes. Hurled across
the room, it was greedily sucked back by the mouths of pipes on the
other side. And its howling light spread a coldness about it which fell
into fierce conflict with the sweat-heat of the room.
In the middle of the room crouched the Pater-noster machine. It was
like Ganesha, the god with the elephant’s head. It shone with oil.
It had gleaming limbs. Under the crouching body and the head which
was sunken on the chest, crooked legs rested, gnome-like, upon the
platform. The trunk and legs were motionless. But the short arms pushed
and pushed alternately forwards, backwards, forwards. A little pointed
light sparkled upon the play of the delicate joints. The floor, which
was stone, and seamless, trembled under the pushing of the little
machine, which was smaller than a five-year-old child.
Heat spat from the walls in which the furnaces were roaring. The odour
of oil, which whistled with heat, hung in thick layers in the room.
Even the wild chase of the wandering masses of air did not tear out the
suffocating fumes of oil. Even the water which was sprayed through the
room fought a hopeless battle against the fury of the heat-spitting
walls, evaporating, already saturated with oil-fumes, before it could
protect the skins of the men in this hell from being roasted.
Men glided by like swimming shadows. Their movements, the soundlessness
of their inaudible slipping past, had something of the black
ghostliness of deep-sea divers. Their eyes stood open as though they
never closed them.
Near the little machine in the centre of the room stood a man, wearing
the uniform of all the workmen of Metropolis: from throat to ankle, the
dark blue linen, bare feet in the hard shoes, hair tightly pressed down
by the black cap. The hunted stream of wandering air washed around his
form, making the folds of the canvas flutter. The man held his hand
on the lever and his gaze was fixed on the clock, the hands of which
vibrated like magnetic needles.
Public-domain text, read in full here on John Shaqi.
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