On these slips, which gave out a penetrating, bitter-sweet, seductive
perfume, there stood, in large, bewitched-looking letters, the word:
Yoshiwara....
Georgi’s throat was as dry as dust. He moistened his cracked lips with
his tongue, which lay heavy and as though parched in his mouth.
A voice had said to him: “You will find more than enough money in my
pockets....”
Enough money ... what for? To clutch and drag near this city—this
mighty, heavenly, hellish city; to embrace her with both arms, both
legs, in the impotence of mastering her; to despair, to throw oneself
into her—take me!—take me!—To feel the filled bowl at one’s
lips—gulping, gulping—not drawing breath, the brim of the bowl set
fast between the teeth—eternal, eternal insatiability, competing
with the eternal, eternal overflow, overpouring of the bowl of
intoxication....
Ah—Metropolis!... Metropolis!...
“More than enough money....”
A strange sound came from Georgi’s throat, and there was something in
it of the throat-rattle of a man who knows he is dreaming and wants to
awake, and something of the guttural sound of the beast of prey when it
scents blood. His hand did not let go of the wad of banknotes for the
second time. It screwed it up in burning convulsive fingers.
He turned his head this way and that, as though seeking a way out,
which, nevertheless, he feared to find....
Another car slipped silently along beside his, a great, black-gleaming
shadow, the couch of a woman, set on four wheels, decorated with
flowers, lighted by dim lamps. Georgi saw the woman very clearly,
and the woman looked at him. She cowered rather than sat, among the
cushions of the car, having entirely wrapped herself in her gleaming
cloak, from which one shoulder projected with the dull whiteness of a
swan’s feather.
She was bewilderingly made-up—as though she did not wish to be human,
to be a woman, but rather a peculiar animal, disposed, perhaps to play,
perhaps to murder.
Calmly holding the man’s gaze, she gently slipped her right hand,
sparkling with stones, and the slender arm, which was quite bare and
dull white, even as the shoulder, from the wrappings of her cloak, and
began to fan herself in a leisurely manner with one of the sheets of
paper on which the word Yoshiwara stood....
“No!” said the man. He panted, wiping the perspiration from his
forehead. Coolness welled out from the fine, strange stuff with which
he dried the perspiration from his brow.
Eyes stared at him. Eyes which were fading away. The all-knowing smile
of a painted mouth.
Public-domain text, read in full here on John Shaqi.
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