The door of the Eternal Gardens had opened and through the door came a
procession of children. They were all holding hands. They had dwarves’
faces, grey and ancient. They were little ghost-like skeletons, covered
with faded rags and smocks. They had colourless hair and colourless
eyes. They walked on emaciated bare feet. Noiselessly they followed
their leader.
Their leader was a girl. The austere countenance of the Virgin. The
sweet countenance of the mother. She held a skinny child by each
hand. Now she stood still, regarding the young men and women one
after another, with the deadly severity of purity. She was quite maid
and mistress, inviolability—and was, too, graciousness itself, her
beautiful brow in the diadem of goodness; her voice, pity; every word a
song.
She released the children and stretched forward her hand, motioning
towards the friends and saying to the children:
“Look, these are your brothers!”
And, motioning towards the children, she said to the friends:
“Look, these are your brothers!”
She waited. She stood still and her gaze rested upon Freder.
Then the servants came, the door-keepers came. Between these walls
of marble and glass, under the opal dome of the Eternal Gardens,
there reigned, for a short time, an unprecedented confusion of noise,
indignation and embarrassment. The girl appeared still to be waiting.
Nobody dared to touch her, though she stood so defenceless, among the
grey infant-phantoms. Her eyes rested perpetually on Freder.
Then she took her eyes from his and, stooping a little, took the
children’s hands again, turned and led the procession out. The door
swung to behind her; the servants disappeared with many apologies for
not having been able to prevent the occurrence. All was emptiness and
silence. Had not each of those before whom the girl had appeared, with
her grey procession of children, so large a number of witnesses to the
event they would have been inclined to put it down to hallucination.
Near Freder, upon the illuminated mosaic floor, cowered the little
drink-mixer, sobbing uncontrolledly.
With a leisurely movement, Freder bent towards her and suddenly
twitched the mask, the narrow black mask, from her eyes.
The drink-mixer shrieked out as though overtaken in stark nudity. Her
hands flew up, clutching, and remained hanging stiffly in the air.
A little painted face stared, horror-stricken at the man. The eyes,
thus exposed, were senseless, quite empty. The little face from which
the charm of the mask had been taken away, was quite weird.
Freder dropped the black piece of stuff. The drink-mixer pounced
quickly upon it, hiding her face. Freder looked around him.
The Eternal Gardens scintillated. The beautiful beings in it, even if,
temporarily, thrown out of balance, shone in their well-cared-forness,
their cleanly abundance. The odour of freshness, which pervaded
everywhere, was like the breath of a dewy garden.
Public-domain text, read in full here on John Shaqi.
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