Quetzalcoatl (The Shining Snake) is sometimes described as one of the four principal gods who shared with the terrible Huitzilopochtli the work of the first creation. Elsewhere he is represented as a man who came to live among the Toltecs, and who disappeared as mysteriously as he came. Between the two accounts of him, then, is every shade of matter-of-fact and miraculous in the tales that are preserved of him. One, shown in an ancient painted writing, now lost, depicted him a youth, fasting seven years alone among the hills, and drawing his blood, because the gods made of him a great warrior, showed how he became chief of Tula, selected by the inhabitants on account of his bravery, and how he built them a great temple. "While he was doing this, Tezcatlipoca came to him, and said that towards Honduras, in a place called Tlapalla, he was to establish his home, and that he must leave Tula and go thither to live and die, and there he should be held to be a god. To this he replied that the heavens and the stars had told him to go within four years. So, after four years were past, he left, taking along with him all the able-bodied men of Tula. Some of these he left in the City of Cholula, and from those the inhabitants are descended. Reaching Tlapalla, he fell sick the same day, and died the following one. Tula remained waste and without a chief nine years." A legend adds that "his ashes were carried to heaven by handsome birds; the heart followed, and became the morning star." [Illustration: QUETZALCOATL.] Baudelier concludes him to have been a prominent gifted Indian leader, perhaps of Toltec origin, perhaps Olmec. He suggests that his career began in the present state of Hidalgo, in which are the ruins of ancient Tula, and that his first stay was there, after which he left that people and moved farther south, and settled at Cholula; perhaps founding there the first settlement, perhaps elevating the tone of the village Indians already settled there. The beneficial effects of the coming of Quetzalcoatl were the introduction, or improvement, of the arts of pottery, weaving, stonework, and feather-work; the organization of government of a higher type, and the introduction of a mode of worship free from human sacrifice. Perhaps his aversion to this bloody custom made him withdraw to the mythical Tlapalla, a place on no map and only known to tradition, which puts it on the sea-coast, and generally on the Gulf of Mexico. The mystery of his departure and death led to his deification, and the worship of his person became the leading feature of the religion at Cholula. It is likely that The Shining Serpent developed, if he did not originate, many of the gentle and graceful forms of worship, which still have a great part of the religion of the simple Indians of Mexico, of sacrificing the fruits and flowers of each season to its appropriate divinity and festival.