Great Britain -- Social life and customs -- 20th century -- Fiction; Historical fiction
The grounds of their potentiality in this respect can be easily
stated. Barbara Comber, his sister (and so “one of us”), had married an
extremely wealthy American, who, in Lord Ashbridge’s view, could not be
considered one of anybody at all; in other words, his imagination failed
to picture a whole class of people who resembled Anthony Jerome. He had
hoped when his sister announced her intention of taking this deplorable
step that his future brother-in-law would at any rate prove to be a
snob--he had a vague notion that all Americans were snobs--and that thus
Mr. Jerome would have the saving grace to admire and toady him. But Mr.
Jerome showed no signs of doing anything of the sort; he treated him
with an austere and distant politeness that Lord Ashbridge could
not construe as being founded on admiration and a sense of his own
inferiority, for it was so clearly founded on dislike. That, however,
did not annoy Lord Ashbridge, for it was easy to suppose that poor Mr.
Jerome knew no better. But Barbara annoyed him, for not only had she
shown herself a renegade in marrying a man who was not “one of us,” but
with all the advantages she had enjoyed since birth of knowing what
“we” were, she gloried in her new relations, saying, without any proper
reticence about the matter, that they were Real People, whose character
and wits vastly transcended anything that Combers had to show.
Michael was an even more vexatious case, and in moments of depression
his father thought that he would really turn in his grave at the dismal
idea of Michael having stepped into his honourable shoes. Physically he
was utterly unlike a Comber, and his mind, his general attitude
towards life seemed to have diverged even farther from that healthy and
unreflective pattern. Only this morning his father had received a letter
from him that summed Michael up, that fulfilled all the doubts and fears
that had hung about him; for after three years in the Guards he had,
without consultation with anybody, resigned his commission on the
inexplicable grounds that he wanted to do something with his life. To
begin with that was rankly heretical; if you were a Comber there was no
need to do anything with your life; life did everything for you. . . .
And what this un-Comberish young man wanted to do with his life was to
be a musician. That musicians, artists, actors, had a right to exist
Lord Ashbridge did not question. They were no doubt (or might be)
very excellent people in their way, and as a matter of fact he often
recognised their existence by going to the opera, to the private view
of the Academy, or to the play, and he took a very considerable pride of
proprietorship in his own admirable collection of family portraits. But
then those were pictures of Combers; Reynolds and Romney and the rest of
them had enjoyed the privilege of perpetuating on their canvases these
big, fine men and charming women. But that a Comber--and that one
Public-domain text, read in full here on John Shaqi.
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