Michael and His Lost Angel: A Play in Five ActsJones, Henry Arthur
General
Michael and His Lost Angel: A Play in Five Acts
Jones, Henry Arthur
Adultery -- Drama; Clergy -- Drama; England -- Social life and customs -- 20th century -- Drama; English drama
AUDR. Love is hardly the word. It is more like--if a man could create
a dog, and be her master, friend, father, and God, I think she would
feel towards him something of what I feel towards you. You have first
made me know what love is, what life is. You have changed me
thoroughly--no, you have changed half of me thoroughly--one half is
still worthless, silly, capricious, hollow, worldly, and bad--that's
my old self. She is gradually withering up under your influence, that
old Audrie Lesden. The other half is looking out of my eyes at you
now! Look! do you see the new Audrie Lesden that is your daughter and
your creature? Aren't you proud of her?
MICH. I shall be proud of her when she is full grown and dares to
leave me of her own free will, because she loves me, and because I am
vowed to Heaven!
AUDR. Do I tempt you? I'll go. You love me. That's enough, or it
should be enough. I'll get back to London to-morrow, and strangle the
new Audrie. Then the old Audrie will come back again, and live the old
weary, dry, empty life--and grow old and wrinkled and heartless and
perhaps--rouged----
MICH. Why do you tear me so? What do you want of me here or hereafter?
Take it! It's yours----
AUDR. You dare go on--now you know?
MICH. Yes.
AUDR. Ah! I thought it was only women who dared hell for love. I won't
take your sacrifice--I will leave you.
MICH. You will? Yes, it must be so! My work, my vows--I cannot, may
not taste of earthly love. Oh, it's cruel to dash the cup from my
lips! (_Pause; then very calmly._) You are right! I feel that we are
choosing heaven or hell for both our souls this night! Help me to
choose heaven for you, and I'll help you to choose heaven for me.
AUDR. Good-bye, my love, for ever. Be brave--and very cold to me, now.
Be like marble--and death.
MICH. (_takes her hand; a very long pause; then speaks very calmly_).
It is victory, isn't it? We have conquered? I'll go down to the bay
and see if your boat has come.
(_By this time it is dark outside._)
AUDR. Half-past six. I shall have a cold, dark voyage.
MICH. And it is just a little rough. But Hannaford is a careful
boatman.
AUDR. It's not Hannaford who is coming for me. I telegraphed for
Withycombe.
MICH. (_pause--very pale and cold_). Withycombe? But you always employ
Hannaford?
AUDR. Yes; and I did write out one telegram to him, and then I thought
I should like to go back in the boat that always takes you. So I tore
up the telegram to Hannaford, and telegraphed to Withycombe.
MICH. Withycombe?
AUDR. Yes, what's the matter?
MICH. He lives alone. When he goes out, he locks up his cottage. Your
telegram will wait at the post office.
AUDR. Why?
MICH. Withycombe has gone over to Saint Margaret's with Gibbard and my
uncle. They stay there the night.
AUDR. Your own boat?
MICH. I had it towed back last week, so that I couldn't be tempted to
come to you.
AUDR. Then----?
Public-domain text, read in full here on John Shaqi.
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