Michael and His Lost Angel: A Play in Five ActsJones, Henry Arthur
General
Michael and His Lost Angel: A Play in Five Acts
Jones, Henry Arthur
Adultery -- Drama; Clergy -- Drama; England -- Social life and customs -- 20th century -- Drama; English drama
SCENE.--_The Chancel of the Minster church of Saint Decuman at
Cleveheddon, a beautiful building of Decorated Gothic architecture
with signs of recent restoration. The altar and reredos, approached by
steps, face the audience, who take up the same position towards it as
spectators in the nave would do. Behind the altar a long vista of
columns, arches, roof, and stained glass windows. An organ is built in
left wall of the chancel at a considerable height. On both sides of
the chancel are handsome high carved oak stalls. A large open place in
front of the altar steps is flanked on each side by the transepts,
which run to right and left of spectators and are filled with chair
seats so far as can be seen. A small door in the north wall of the
left transept leads to the organ loft. The whole church is most
lavishly decorated with banners, hangings, scrolls, and large
frescoes, and is smothered with flowers as if in readiness for a
church festival. Large brass candlesticks on altar with lighted
candles. Time, about nine on an autumn night. An organ voluntary is
being played as curtain rises. Enter MICHAEL from transept. He has
aged much, is very pale and emaciated. The voluntary ceases and the
organ boy, a lad about fifteen, comes from small door in wall of left
transept._
WALTER (_carelessly_). Good-night, sir.
MICH. (_stopping him, puts his hand on the boy's head_). Good-bye,
Walter. (_Pause, still detaining him, with considerable feeling._)
Good-bye, my dear lad.
(_Sighs, moves away from him. The boy shows slight respectful surprise
and exit along transept. The Organist with keys enters from the little
door, looks round the church admiringly._)
ORGANIST. Everything ready for the ceremony to-morrow?
MICH. Yes, I think, everything.
ORGANIST. I was just putting the finishing touches to my music. How
beautiful the church looks! You must be very proud and happy now your
work is complete.
MICH. Not quite complete. I've to put the finishing touches to my
part--to-morrow.
_ANDREW enters rather suddenly from transept._
ANDR. Can I speak to you for a moment?
ORGANIST. Good-night.
(_Going._)
MICH. (_detains him_). Thank you for all you have done for me, and for
the church, and for her services.
(_Shakes hands warmly. Exit the Organist by transept._)
MICH. Well?
ANDR. I thought you'd like to know--Mrs. Lesden has come back to
Cleveheddon, and she has brought a lady friend with her.
MICH. I know.
ANDR. You've seen her?
(_MICHAEL looks at him with great dignity._)
ANDR. I beg your pardon.
MICH. I've not seen her.
ANDR. I beg your pardon. It's no business of mine.
(_Going._)
MICH. (_quietly_). Yes, it is business of yours.
ANDR. What do you mean?
MICH. Haven't you made it the chief business of your life all this
last year?
ANDR. How? I've kept my word. I've never reminded you of it.
Public-domain text, read in full here on John Shaqi.
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