Michael and His Lost Angel: A Play in Five ActsJones, Henry Arthur
General
Michael and His Lost Angel: A Play in Five Acts
Jones, Henry Arthur
Adultery -- Drama; Clergy -- Drama; England -- Social life and customs -- 20th century -- Drama; English drama
_AUDRIE enters from transept in magnificent evening dress, cloak, and
jewellery, and carrying a large basket of roses. Her features are much
paler and sharpened, and she shows a constant restlessness and
excitement._
AUDR. (_looks round, calls out_). Somebody is here? (_Pause, calls
out._) Somebody is here? No? (_Speaks down transept._) You may come
in, Milly.
_MILLY CANTELO, a fashionable little woman, enters at transept,
looking admiringly round the church._
AUDR. There's nobody here except (_raising her voice_) a stone saint
(_pointing up to carved figure_), and he can't hear, because he has
only stone ears, and he can't feel, because he has only a stone heart.
(_MICHAEL shows intense feeling._)
MILLY (_looking round_). Isn't it gorgeous?
AUDR. H'm--yes---- (_Raises her voice._) I can't bear that stone
saint. Look how hard and lifeless he is. In a well-regulated world
there would be no room for angels or devils, or stone saints, or any
such griffins.
MILLY. Audrie, you are queer to-night. You'll be ill again.
AUDR. Yes, duckie, I hope so.
MILLY. What's the matter with you?
AUDR. Life's the matter with me, I think. I've got it badly, and I
don't know how to cure myself.
MILLY. I wish you wouldn't talk nonsense, and run about on silly
errands in the dark.
AUDR. I won't for long. When my head is tightly bandaged in a white
cloth, I can't talk any more nonsense, can I? And when my feet are
comfortably tucked up in my final night-gown I can't run after stone
saints in the dark, can I?
MILLY. Oh, you give me the creeps. I can't imagine why you wanted to
come out to-night.
AUDR. To decorate the church.
MILLY. Don't you think it's decorated enough?
AUDR. (_looking_). No, it wants a few more touches. I must just
titivate a cherub's nose, or hang a garland on an apostle's toe, just
to show my deep, deep devotion----
MILLY. Your deep, deep devotion?
AUDR. My deep, deep love, my deep, deep worship, my deep, deep
remembrance.
MILLY. Of what?
AUDR. The church, of course.
MILLY. What a heap of money all this must have cost! Who gave it all?
AUDR. I gave two hundred pounds when I lived here last year.
MILLY. I wonder who gave all the rest!
AUDR. I wonder!
MILLY. Mr. Feversham must have some very devoted friends.
AUDR. So it seems.
MILLY. Did you know him very well when you lived here?
AUDR. Not very well.
MILLY. What sort of a man is he?
AUDR. Oh, a very cold, distant man--a good deal of the priest about
him, and as much feeling as that stone figure up there.
MILLY. You didn't like him?
AUDR. Oh, I liked him well enough. But I don't think he cared much for
me. I dare say he's forgotten all about me by this time. Milly----
(_Bursts into tears._)
MILLY. What is it?
Public-domain text, read in full here on John Shaqi.
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