Michael neither liked nor disliked him, but, rather, merely accepted him. They travelled the United States over together, and they never had a quarrel. Not once did Henderson raise his voice sharply to Michael, and not once did Michael snarl a warning at him. They simply endured together, existed together, because the currents of life had drifted them together. Of course, there was no heart-bond between them. Henderson was master. Michael was Henderson's chattel. Michael was as dead to him as he was himself dead to all things. Yet Jacob Henderson was fair and square, business-like and methodical. Once each day, when not travelling on the interminable trains, he gave Michael a thorough bath and thoroughly dried him afterward. He was never harsh nor hasty in the bathing. Michael never was aware whether he liked or disliked the bathing function. It was all one, part of his own fate in the world as it was part of Henderson's fate to bathe him every so often. Michael's own work was tolerably easy, though monotonous. Leaving out the eternal travelling, the never-ending jumps from town to town and from city to city, he appeared on the stage once each night for seven nights in the week and for two afternoon performances in the week. The curtain went up, leaving him alone on the stage in the full set that befitted a bill-topper. Henderson stood in the wings, unseen by the audience, and looked on. The orchestra played four of the pieces Michael had been taught by Steward, and Michael sang them, for his modulated howling was truly singing. He never responded to more than one encore, which was always "Home, Sweet Home." After that, while the audience clapped and stamped its approval and delight of the dog Caruso, Jacob Henderson would appear on the stage, bowing and smiling in stereotyped gladness and gratefulness, rest his right hand on Michael's shoulders with a play-acted assumption of comradeliness, whereupon both Henderson and Michael would bow ere the final curtain went down. And yet Michael was a prisoner, a life-prisoner. Fed well, bathed well, exercised well, he never knew a moment of freedom. When travelling, days and nights he spent in the cage, which, however, was generous enough to allow him to stand at full height and to turn around without too uncomfortable squirming. Sometimes, in hotels in country towns, out of the crate he shared Henderson's room with him. Otherwise, unless other animals were hewing on the same circuit time, he had, outside his cage, the freedom of the animal room attached to the particular theatre where he performed for from three days to a week.