Michael never liked these lessons, for, looking down upon Kwaque, he
hated in any way to be under the black's compulsion. But all this was
changed when Dag Daughtry surprised them at a singing lesson. He
resurrected the harmonica with which it was his wont, ashore in public-
houses, to while away the time between bottles. The quickest way to
start Michael singing, he discovered, was with minors; and, once started,
he would sing on and on for as long as the music played. Also, in the
absence of an instrument, Michael would sing to the prompting and
accompaniment of Steward's voice, who would begin by wailing "kow-kow"
long and sadly, and then branch out on some old song or ballad. Michael
had hated to sing with Kwaque, but he loved to do it with Steward, even
when Steward brought him on deck to perform before the laughter-shrieking
passengers.
Two serious conversations were held by the steward toward the close of
the voyage: one with Captain Duncan and one with Michael.
"It's this way, Killeny," Daughtry began, one evening, Michael's head
resting on his lord's knees as he gazed adoringly up into his lord's
face, understanding no whit of what was spoken but loving the intimacy
the sounds betokened. "I stole you for beer money, an' when I saw you
there on the beach that night I knew you'd bring ten quid anywheres. Ten
quid's a horrible lot of money. Fifty dollars in the way the Yankees
reckon it, an' a hundred Mex in China fashion.
"Now, fifty dollars gold 'd buy beer to beat the band--enough to drown me
if I fell in head first. Yet I want to ask you one question. Can you
see me takin' ten quid for you? . . . Go on. Speak up. Can you?"
And Michael, with thumps of tail to the floor and a high sharp bark,
showed that he was in entire agreement with whatever had been propounded.
"Or say twenty quid, now. That's a fair offer. Would I? Eh! Would I?
Not on your life. What d'ye say to fifty quid? That might begin to
interest me, but a hundred quid would interest me more. Why, a hundred
quid all in beer 'd come pretty close to floatin' this old hooker. But
who in Sam Hill'd offer a hundred quid? I'd like to clap eyes on him
once, that's all, just once. D'ye want to know what for? All right.
I'll whisper it. So as I could tell him to go to hell. Sure, Killeny
Boy, just like that--oh, most polite, of course, just a kindly directin'
of his steps where he'd never suffer from frigid extremities."
Michael's love for Steward was so profound as almost to be a mad but
enduring infatuation. What the steward's regard for Michael was coming
to be was best evidenced by his conversation with Captain Duncan.
Public-domain text, read in full here on John Shaqi.
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