"What man's dog are you? Maybe you're a nigger's dog, an' that ain't
right. Maybe some nigger's stole you, an' that'd be awful. Think of the
cruel fates that sometimes happens to dogs. It's a damn shame. No white
man's stand for a nigger ownin' the likes of you, an' here's one white
man that ain't goin' to stand for it. The idea! A nigger ownin' you an'
not knowin' how to train you. Of course a nigger stole you. If I laid
eyes on him right now I'd up and knock seven bells and the Saint Paul
chimes out of 'm. Sure thing I would. Just show 'm to me, that's all,
an' see what I'd do to him. The idea of you takin' orders from a nigger
an' fetchin' 'n' carryin' for him! No, sir, dog, you ain't goin' to do
it any more. You're comin' along of me, an' I reckon I won't have to
urge you."
Dag Daughtry stood up and turned carelessly along the beach. Michael
looked after him, but did not follow. He was eager to, but had received
no invitation. At last Daughtry made a low kissing sound with his lips.
So low was it that he scarcely heard it himself and almost took it on
faith, or on the testimony of his lips rather than of his ears, that he
had made it. No human being could have heard it across the distance to
Michael; but Michael heard it, and sprang away after in a great delighted
rush.
CHAPTER II
Dag Daughtry strolled along the beach, Michael at his heels or running
circles of delight around him at every repetition of that strange low lip-
noise, and paused just outside the circle of lantern light where dusky
forms laboured with landing cargo from the whaleboats and where the
Commissioner's clerk and the _Makambo's_ super-cargo still wrangled over
the bill of lading. When Michael would have gone forward, the man
withstrained him with the same inarticulate, almost inaudible kiss.
For Daughtry did not care to be seen on such dog-stealing enterprises and
was planning how to get on board the steamer unobserved. He edged around
outside the lantern shine and went on along the beach to the native
village. As he had foreseen, all the able-bodied men were down at the
boat-landing working cargo. The grass houses seemed lifeless, but at
last, from one of them, came a challenge in the querulous, high-pitched
tones of age:
"What name?"
"Me walk about plenty too much," he replied in the beche-de-mer English
of the west South Pacific. "Me belong along steamer. Suppose 'm you
take 'm me along canoe, washee-washee, me give 'm you fella boy two stick
tobacco."
"Suppose 'm you give 'm me ten stick, all right along me," came the
reply.
"Me give 'm five stick," the six-quart steward bargained. "Suppose 'm
you no like 'm five stick then you fella boy go to hell close up."
There was a silence.
"You like 'm five stick?" Daughtry insisted of the dark interior.
"Me like 'm," the darkness answered, and through the darkness the body
that owned the voice approached with such strange sounds that the steward
lighted a match to see.
Public-domain text, read in full here on John Shaqi.
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