Michael Faraday: Third Edition, with PortraitGladstone, J. H. (John Hall)
Science
Michael Faraday: Third Edition, with Portrait
Gladstone, J. H. (John Hall)
Faraday, Michael, 1791-1867
But should it be a Friday evening, Faraday's place is in the library
and theatre of the Institution, to see that all is right and ready, to
say an encouraging word to the lecturer, and to welcome his friends as
they arrive; then taking his seat on the front bench near the right
hand of the speaker, he listens with an animated countenance to his
story,[6] sometimes bending forwards, and scarcely capable of keeping
his fingers off the apparatus--not at all able if anything seems to
be going wrong; when the discourse is over, a warm shake of the hand,
with "Thank you for a pleasant hour," and "Good night" to those around
him, and upstairs with his wife and some particularly congenial friends
to supper. On the dining-table is abundance of good fare and good
wine, and around it flows a pleasant stream of lively and intellectual
conversation.
But suppose it is his own night to lecture. The subject has been
carefully considered, an outline of his discourse has been written on
a sheet of foolscap, with all the experiments marked and numbered, and
during the morning everything has been arranged on the table in such
order that his memory is assisted by it; the audience now pours in, and
soon occupies all the seats, so that late comers must be content with
sitting on the stairs or standing in the gangways, or at the back of
the gallery. Faraday enters, and placing himself in the centre of the
horse-shoe table, perfect master of himself, his apparatus, and his
audience, commences a discourse which few that are present will ever
forget. Here is a picture by Lady Pollock:--"It was an irresistible
eloquence, which compelled attention and insisted upon sympathy. It
waked the young from their visions, and the old from their dreams.
There was a gleaming in his eyes which no painter could copy, and which
no poet could describe. Their radiance seemed to send a strange light
into the very heart of his congregation; and when he spoke, it was felt
that the stir of his voice and the fervour of his words could belong
only to the owner of those kindling eyes. His thought was rapid, and
made itself a way in new phrases--if it found none ready made--as the
mountaineer cuts steps in the most hazardous ascent with his own axe.
His enthusiasm sometimes carried him to the point of ecstasy when he
expatiated on the beauties of Nature, and when he lifted the veil from
her deep mysteries. His body then took motion from his mind; his hair
streamed out from his head; his hands were full of nervous action; his
light, lithe body seemed to quiver with its eager life. His audience
took fire with him, and every face was flushed. Whatever might be the
after-thought or the after-pursuit, each hearer for the time shared his
zeal and his delight."[7]
Public-domain text, read in full here on John Shaqi.
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