Michael Faraday: Third Edition, with PortraitGladstone, J. H. (John Hall)
Science
Michael Faraday: Third Edition, with Portrait
Gladstone, J. H. (John Hall)
Faraday, Michael, 1791-1867
In his more familiar lectures to the cadets at Woolwich, however, he
more than hinted at such elevated thoughts. In conversation, too,
Faraday has been known to express his wonder that anyone should fail
to recognize the constant traces of design; and in his writings there
sometimes occur such passages as the following:--"When I consider the
multitude of associated forces which are diffused through nature--when
I think of that calm and tranquil balancing of their energies which
enables elements most powerful in themselves, most destructive to the
world's creatures and economy, to dwell associated together and be made
subservient to the wants of creation, I rise from the contemplation
more than ever impressed with the wisdom, the beneficence, and
grandeur beyond our language to express, of the Great Disposer of all!"
Faraday's journals abound with descriptions of "nature and human
nature." He had evidently a keen eye for the beauties of scenery, and
occasionally the objects around him suggested higher thoughts. Here are
two instances taken from his notes of a Swiss tour in 1841:--
"_Monday, 19th._--Very fine day; walk with dear Sarah on the lake side
to Oberhofen, through the beautiful vineyards; very busy were the
women and men in trimming the vines, stripping off leaves and tendrils
from the fruit-bearing branches. The churchyard was beautiful, and the
simplicity of the little remembrance-posts set upon the graves very
pleasant. One who had been too poor to put up an engraved brass plate,
or even a painted board, had written with ink on paper the birth and
death of the being whose remains were below, and this had been fastened
to a board, and mounted on the top of a stick at the head of the
grave, the paper being protected by a little edge and roof. Such was
the simple remembrance, but Nature had added her pathos, for under the
shelter by the writing a caterpillar had fastened itself, and passed
into its deathlike state of chrysalis, and, having ultimately assumed
its final state, it had winged its way from the spot, and had left the
corpse-like relics behind. How old and how beautiful is this figure of
the resurrection! Surely it can never appear before our eyes without
touching the thoughts."
Public-domain text, read in full here on John Shaqi.
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