Michael Faraday: Third Edition, with PortraitGladstone, J. H. (John Hall)
Science
Michael Faraday: Third Edition, with Portrait
Gladstone, J. H. (John Hall)
Faraday, Michael, 1791-1867
"To work with a man like Faraday was in itself a great pleasure; but
this pleasure was not a little heightened in doing so in a place where
such grand secrets of nature had been unfolded, the most brilliant
discoveries of the century had been made, and entirely new branches of
knowledge had been brought forth. For the empty intellect circumstances
of this nature are indeed of little special value; but they stand in
quite another relation to our power of imagination and inner nature.
"I do not deny that my surroundings produced in me a very peculiar
feeling; and whilst I trod the floor upon which Davy had once
walked--whilst I availed myself of some instrument which this great
discoverer had himself handled--whilst I stood working at the very
table at which the ever-memorable man sought to solve the most
difficult problems of science, at which Faraday enticed the first
sparks out of the magnet, and discovered the most beautiful laws of
the chemical action of current electricity, I felt myself inwardly
elevated, and believed that I myself experienced something of the
inbreathing of the scientific spirit which formerly ruled there with
such creative power, and which still works on."[18]
The habit of Faraday was to think out carefully beforehand the subject
on which he was working, and to plan his mode of attack. Then, if he
saw that some new piece of apparatus was needed, he would describe it
fully to the instrument maker with a drawing, and it rarely happened
that there was any need of alteration in executing the order. If,
however, the means of experiment existed already, he would give
Anderson a written list of the things he would require, at least a day
before--for Anderson was not to be hurried. When all was ready, he
would descend into the laboratory, give a quick glance round to see
that all was right, take his apron from the drawer, and rub his hands
together as he looked at the preparations made for his work. There must
be no tool on the table but such as he required. As he began, his face
would be exceedingly grave, and during the progress of an experiment
all must be perfectly quiet; but if it was proceeding according to his
wish, he would commence to hum a tune, and sometimes to rock himself
sideways, balancing alternately on either foot. Then, too, he would
often talk to his assistant about the result he was expecting. He would
put away each tool in its own place as soon as done with, or at any
rate when the day's work was over, and he would not unnecessarily take
a thing away from its place: thus, if he wanted a perforated cork,
he would go to the drawer which contained the corks and cork-borers,
make there what he wanted, replace the borers, and shut the drawer. No
bottle was allowed to remain without its stopper; no open glass might
stand for a night without a paper cover; no rubbish was to be left on
the floor; bad smells were to be avoided if possible; and machinery
in motion was not permitted to grate.
Public-domain text, read in full here on John Shaqi.
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