City and town life -- Fiction; Didactic fiction; Indiana -- Fiction; Orphans -- Fiction
Through fern and brake head high, through sumac, willow, elder,
buttonbush, gold-yellow and blood-red osiers, past northern holly, over
spongy moss carpet of palest silvery green up-piled for ages, over
red-veined pitcher plants spilling their fullness, among scraggy,
odorous tamaracks, beneath which cranberries and rosemary were
blooming; through ethereal pale mists of dawn, in their ears lark songs
of morning from the fields, hermit thrushes in the swamp, bell birds
tolling molten notes, in a minor strain a swelling chorus of sparrows,
titmice, warblers, vireos, went two strong, healthy young people newly
promised for "better or worse." They could only look, stammer, flush,
and utter broken exclamations, all about "better." They could not
remotely conceive that life might serve them the cruel trick of "worse."
Leslie sank to her knees. Douglas lifted her up, set her on the firmest
location he could see, adoring her with his eyes and reverent touch.
Since that first rough grasp as he drew her to him, Leslie had felt
positively fragile in his hands. She smiled at him her most beautiful
smile when wide-eyed with emotion.
"Douglas, why just now, when you've waited two years?" she asked.
"Wanted a degree of success to offer," he answered.
Leslie disdained the need for success.
"Wanted you to have time to know me as completely as possible."
Leslie intimated that she could learn faster.
"Wanted to have the acknowledged right to put my body between yours and
any danger this swamp might have to offer to-day."
"Exactly what I thought!" cried she.
"Wise girl," commented the man.
"Douglas, I must hurry!" said Leslie. "It may take a long time to find
the flowers I want, while I've no idea what I shall do for a basket. I
saw osiers yellow and red in quantities, but where are the orchids?"
"We must make our way farther in and search," he said.
"Douglas, listen!" breathed Leslie.
"I hear exquisite music," he answered.
"But don't you recognize it?" she cried.
"It does seem familiar, but I am not sufficiently schooled in music----"
The girl began softly to whistle.
"By Jove!" cried the man. "What is that Leslie?"
"Di Provenza, from Traviata," she answered. "But I must stop listening
for birds Douglas, when I can scarcely watch for flowers or vines. I
have to keep all the time looking to make sure that you are really my
man."
"And I, that you are my woman. Leslie, that expression and this
location, the fact that you are in competition with a squaw and the
Indian talk we have indulged in lately, all conspire to remind me that
a few days ago, while I was still a 'searcher' myself, I read a poem
called 'Song of the Search' that was the biggest thing of its kind that
I have yet found in our language. It was so great that I reread it
until I am sure I can do it justice. Listen my 'Bearer of Morning,' my
'Bringer of Song----'"
Public-domain text, read in full here on John Shaqi.
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