Michael Robartes and the dancerYeats, W. B. (William Butler)
General
Michael Robartes and the dancer
Yeats, W. B. (William Butler)
English poetry -- Irish authors
I concluded that it was the entire absence of my personal concrete
memory that enabled me to accept such images without surprise. Was it
not perhaps this very absence that constituted sleep? Would I perhaps
awake if a single concrete image from my memory came before me? Even
these images--stool, chair, etc. were never any particular stool,
chair, etc. that I had known. Were these images, however, from the
buried memory? had they floated up from the subconscious? had I
seen them perhaps a long time ago and forgotten having done so?
Even if that were so, the exclusion of the conscious memory was
a new, perhaps important truth; but Robartes denied their source
even in the subconscious. It seems a corroboration that though I
often see between sleep and waking elaborate landscape, I have
never seen one that seemed a possible representation of any place
I have ever lived near from childhood up. Robartes traces these
substitute images to different sources. Those that come in sleep
are (1) from the state immediately preceding our birth; (2) from
the _Spiritus Mundi_--that is to say, from a general store-house
of images which have ceased to be a property of any personality or
spirit. Those that come between sleeping and waking are, he says,
re-shaped by what he calls the “automatic faculty” which can create
pattern, balance, etc. from the impressions made upon the senses,
not of ourselves, but of others bound to us by certain emotional
links though perhaps entire strangers, and preserved in a kind of
impersonal mirror, often simply called the “record,” which takes
much the same place in his system the lower strata of the astral
light does among the disciples of Elephas Levi. This does not
exhaust the contents of dreams for we have to account also for
certain sentences, for certain ideas which are not concrete images
and yet do not arise from our personal memory, but at the moment
I have merely to account for certain images that affect passion
or affection. Robartes writes to Aherne in a letter dated May 15th,
1917: “No lover, no husband has ever met in dreams the true image
of wife or mistress. She who has perhaps filled his whole life with
joy or disquiet cannot enter there. Her image can fill every moment
of his waking life but only its counterfeit comes to him in sleep;
and he who classifies these counterfeits will find that just in so
far as they become concrete, sensuous, they are distinct individuals;
never types but individuals. They are the forms of those whom he has
loved in some past earthly life, chosen from _Spiritus Mundi_ by the
subconscious will, and through them, for they are not always hollow
shades, the dead at whiles outface a living rival.” They are the
forms of Over Shadowers as they are called. All violent passion
has to be expiated or atoned, by one in life, by one in the state
between life and life, because, as the Judwalis believe, there is
always deceit or cruelty; but it is only in sleep that we can see
Public-domain text, read in full here on John Shaqi.
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