"The marks of his favour which Julius II had showered on Michelangelo," says Condivi, "resulted, as often happens at courts, in exciting jealousy against him, and, following the jealousy, endless persecution. Bramante, the architect, who was dear to the pope, made him change his plans. He reminded him of the popular superstition that it was of bad augury to build your tomb while you were still alive, and other stories of the same kind. Bramante was driven to do this, not only through jealousy, but from fear that Michelangelo's knowledge would reveal his own mistakes. For Bramante, as everyone knows, was much given to pleasure and very dissipated. The salary he received from the pope, though it was great, was not nearly enough for him, so that he tried to make more out of his work by constructing walls of bad material and neither solid nor strong enough for their height and thrust. Anyone can prove this by the construction of St. Peter's, or the Belvedere gallery, or the cloister of S. Pietro in Vinculi and other buildings which he erected and which it has been necessary to support all over again and to strengthen with buttresses,[24] either because they have fallen down or because they very soon would have done so. Bramante realised that Michelangelo would have discovered his mistakes, and so he always tried to keep him away from Rome and to deprive him of the pope's favour and of the influence which he had gained over the pope by his works. For it is clear that if the tomb of Julius II had been actually undertaken Michelangelo would have stood out supreme over all other artists, however famous they might be, for he would then have had a vast field in which to show what he could do." Bramante succeeded. In January, 1506, Julius II ordered the reconstruction of St. Peter's. The tomb was abandoned and Michelangelo was not only humiliated and disappointed, but in debt, according to what he says himself: "When the pope changed his mind and the boats arrived with the marble from Carrara I had to pay the charge of transport myself. And as at this same time the stone-cutters who had come from Florence for the tomb also arrived at Rome and I had had the house which Julius had given me behind S. Caterina prepared for them, I found myself without money and greatly embarrassed. I urged the pope as strongly as I could to continue the construction of the tomb and then one morning when I wished to talk with him about it he had me put out by a groom." Then it was that the famous flight to Florence took place. Michelangelo, outraged by this affront, took horse and fled from Rome and refused to return in spite of the messengers which the pope sent after him. The indignity of the affront was not, by his own account, the only reason for his flight. In a letter to Giuliano da San Gallo he implies that his life was in danger from Bramante's threats. [Illustration: THE ALMIGHTY CREATING THE SUN AND THE MOON Ceiling of the Sistine Chapel (1508-1512).]