Along with this excited interest in everything from the mechanics
of the stars to the caperings of little animals, the people of
Spallanzani’s glittering century began to show an open contempt for
religion and dogmas, even the most sacred ones. A hundred years
before men had risked their skins to laugh at the preposterous and
impossible animals that Aristotle had gravely put into his books on
biology. But now, they could openly snicker at the mention of his
name and whisper: “Because he’s Aristotle it implies that he must be
believed e’en though he lies.” Still there was plenty of ignorance
in the world, and much pseudo-science--even in the Royal Societies
and Academies. And Spallanzani, freed from the horror of an endless
future of legal wranglings, threw himself with vigor into getting
all kinds of knowledge, into testing all kinds of theories, into
disrespecting all kinds of authorities no matter how famous, into
association with every kind of person, from fat bishops, officials,
and professors to outlandish actors and minstrels.
He was the very opposite of Leeuwenhoek, who so patiently had ground
lenses, and looked at everything for twenty years before the learned
world knew anything about him. At twenty-five Spallanzani made
translations of the ancient poets, and criticized the standard and
much admired Italian translation of Homer. He brilliantly studied
mathematics with his cousin, Laura Bassi, the famous woman professor
of Reggio. He now skipped stones over the water in earnest, and wrote
a scientific paper on the mechanics of skipping stones. He became a
priest of the Catholic Church, and helped support himself by saying
masses.
Despising secretly all authority, he got himself snugly into the good
graces of powerful authorities, so that he might work undisturbed.
Ordained a priest, supposed to be a blind follower of the faith,
he fell savagely to questioning everything, to taking nothing for
granted--excepting the existence of God, of some sort of supreme
being. At least if he questioned this he kept it--rogue that he
was--strictly to himself. Before he was thirty years old he had
been made professor at the University of Reggio, talking before
enthusiastic classes that listened to him with saucer-eyes. Here he
started his first work on the little animals, those weird new little
beings that Leeuwenhoek had discovered. He began his experiments on
them as they were threatening to return to that misty unknown from
which the Dutchman had dredged them up.
Public-domain text, read in full here on John Shaqi.
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