Historical fiction; Hungarian fiction -- Translations into English; Transylvania (Romania) -- History -- Fiction
In none of Jokai's other novels, moreover, is the individuality of the
characters so distinct and consistent. The gluttonous Kemeny, who
sacrificed a kingdom for a dinner; the well-meaning, easy-going Apafi,
who would have made a model squire, but was irretrievably ruined by a
princely diadem; his consort, the wise and generous Anna, always at hand
to stop her husband from committing follies, or to save him from their
consequences; the crafty Teleki, the Richelieu of Transylvania, with
wide views and lofty aims, but sticking at nothing to compass his ends;
his rival Banfi, rough, masterful, recklessly selfish, yet a patriot at
heart, with a vein of true nobility running through his coarser nature;
his tender and sensitive wife, clinging desperately to a brutal husband,
who learnt her worth too late; the time-serving Csaky, as mean a rascal
as ever truckled to the great or trampled on the fallen; Ali Pasha and
Corsar Beg, excellent types of the official and the unofficial Turkish
freebooter respectively; Kucsuk Pasha, the chivalrous Mussulman with a
conscience above his creed; the renegade spy Zülfikar, groping in
slippery places after illicit gains, and always falling on his feet with
cat-like agility; and, last of all, that marvellous creation, Azrael,
the demoniacal Turkish odalisk, blasting all who fall within the
influence of her irresistible glamour, a Circe as sinuously beautiful
and as utterly soulless as her own pet panther--all these personages of
a, happily, by-gone age are depicted as vividly as if the author had
known each one of them personally.
Finally, the book contains some of Jokai's happiest descriptions, and in
this department it is generally admitted that the master, at his best,
is unsurpassable. The description of the burning coal-mine in _Fekete
Gyemantok_, of the Neva floods in _A szabadság a hó alatt_, of the
plague in _Szomoru napok_, or of the Danube in all its varying moods in
_Az arány ember_, stand alone in modern fiction; yet can any of these
vivid tableaux compare with the wonderful account of Corsar Beg's aërial
fairy palace, poised on the top of the savage Carpathians, or with the
glowing picture of the gorgeous harem of Azrael, or with the fantastic
scenery of the Devil's Garden, with its ice-built corridors, snow
bridges, boiling streams, fathomless lakes, and rushing avalanches?
R. N. B.
CONTENTS.
BOOK I.
BY COMMAND OF THE PADISHAH.
Public-domain text, read in full here on John Shaqi.
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