Historical fiction; Hungarian fiction -- Translations into English; Transylvania (Romania) -- History -- Fiction
It is only in the distance, however, that the castle looks so gloomy. On
approaching nearer, you perceive that what had seemed, from afar, to be
a dark green belt of bushes, is really a wreath of flower-gardens thrown
round the ramparts. The large Gothic windows are adorned with handsome
sculptures and stained glass. A well-kept, serpentine path winds up the
steep rock, and there is a mossy stone seat at every bend. Where the
rock is most precipitous a breastwork has been thrown up. The pointed
turrets of the castle are all painted red, and adorned with fantastic
weathercocks.
The path leading through the Boza Pass to Kronstadt is not more than an
hour's journey from this little castle, and along this path, at the very
time when Prince John Kemeny was still regaling himself at Hermannstadt,
we see a long line of cavalry wending their way into the valley
below--two thousand Turkish horsemen, or thereabouts, distinguishable
from afar by the scarlet tips of their turbans and their snow-white
kaftans. Among them are some hundreds of Wallachian irregulars in brown
gabardines and long black _csalmaks_.[13]
[Footnote 13: _Csalmak_ [pr. _chalmak_]. A low, skin
turban.]
The way is so narrow here that the horsemen can only proceed along in
couples, so that while the rearguard is still painfully making its way
through the narrow defile between converging rocks, the vanguard has
already reached Tatrang.
The Turkish general is a middling-sized, sunburnt man, with eyes as bold
and bellicose as an eagle's. A large scar runs right across his
forehead. His beard curls in little locks around his chin. His moustache
is twisted fiercely upwards on both sides, making one suspect an
excessively fiery temper in its possessor, a suspicion confirmed by his
hard and curt mode of speech, the haughty carriage of his head, and the
impatient movements of his body.
He halts his little army outside the village, to give the rearmost time
to come up. Last of all roll a few wagons and a large pumpkin-shaped
coach. This is all the heavy baggage which the Turks carry with them.
The rearguard is led by a child whose round, cherub face contrasts
strangely with his glittering scimitar and his grave, commanding look.
He cannot be more than twelve. Inside the coach, the curtains of which
are thrown back on both sides so as to freely admit the evening air, we
perceive a young lady of about five-and-twenty years of age, dressed
half in Turkish, half in Christian costume, for she wears the wide
silken hose and the short blue open kaftan of the Turkish ladies, but
has taken off her turban, and her face, contrary to Turkish custom, is
without a veil. She gazes with the utmost composure out of the carriage
window, bestowing her attention now upon the landscape and now upon the
passing peasants.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account