Adopted children -- Fiction; American fiction -- 19th century; Dime novels
The miserable three years are gone, or nearly so, and all around the
Beechwood mansion the July sun shines brightly, while the summer shadows
chase each other in frolicsome glee over the velvety sward, and in the
maple trees the birds sing merrily, as if they know that the hand which
has fed them so often with crumbs will feed them again on the morrow. In
the garden, the flowers which the child Milly loved so well are
blossoming in rich profusion, but their gay beds present many a broken
stalk to-day, for the Judge has gathered bouquet after bouquet with
which to adorn the parlors, the library, the chambers, and even the airy
halls, for Mildred is very fond of flowers, and when the sun hangs just
above the woods and the engine-whistle is heard among the Mayfield hills
lying to the westward, Mildred is coming home, and stored away in some
one of her four trunks is a bit of paper saying that its owner has been
graduated with due form, and is a finished-up young lady.
During the last year the Judge had not seen her, for business had called
him to Virginia, and, for a part of the time, Beechwood had been closed
and Mildred had spent her long vacation with Lilian, who was now to
accompany her home. With this arrangement the Judge hardly knew whether
to be pleased or not. He did not fancy Lilian. He would a little rather
have Mildred all to himself a while; but when she wrote to him, saying:
“May Lilian come home with me? It would please me much to have her,”—he
answered “Yes,” at once; for now, as of old, he yielded his wishes to
those of Mildred, and he waited impatiently for the appointed day,
which, when it came, he fancied would never end.
Five o’clock, said the fanciful time-piece upon the marble mantle, and,
when the silver bell rang out the next half-hour, the carriage came
slowly to the gate, and with a thrill of joy the Judge saw the girlish
head protruding from the window, and the fat, white hand wafting kisses
towards him. He had no desire now to kick her into the street,—no wish
to send her from Beechwood,—no inclination to swear at Widow Simms for
saying she was like himself. He was far too happy to have her home
again, and, kissing her cheeks as she bounded to his side, he called her
“little Spitfire,” just as he used to do, and then led her into the
parlor, where hung the picture of another Mildred, who now might well be
likened to herself, save that the dress was older-fashioned and the hair
a darker brown.
“Oh, isn’t it pleasant here?” she cried, dancing about the room. “Such
heaps of flowers, and, as I live, a new piano! It’s mine, too!” and she
fairly screamed with joy as she saw her own name, “MILDRED HOWELL,”
engraved upon it.
“It was sent home yesterday,” returned the Judge, enjoying her delight
and asking for some music.
Public-domain text, read in full here on John Shaqi.
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