Gods will become men; exterior fate will return into their bosom; the
saints will henceforth be only their brothers; and Paradise will be the
earth itself. Most beautifully Verhaeren has expressed this idea in one
of his latest books,[29] in the symbol of Adam and Eve. Eve, expelled
from the Garden of Eden, one day finds its doors open again. But she
does not re-enter it, for her highest joy, her Paradise, is now in
activity and the pleasure of the earth. Zest in existence, in life, joy
of the earth, has never been more strongly and burningly exalted than in
this symbol; never has the hymn of humanity been sung with greater
fervour than by this poet--perhaps because he had denied life more
wildly and more obstinately than any other. Here all contrasts sing
together in a harmony without a flaw; the last enmity between man and
Nature here becomes the ecstatic feeling of man's godhead.
And strange to say, here the circle of life returns to itself. The books
of the poet's old age return to the days of his youth, to the school
benches in Ghent where Maeterlinck also sat, the other great Fleming.
Both, who lost themselves there, have found themselves again on the
heights of life in their conception of the world, for Maeterlinck's
highest teaching also (in his book _Wisdom and Destiny_) is, that all
fate is locked up in man himself, that it is man's highest evolution,
his highest duty, to conquer fate, all that lies outside him, God. This
profound thought, which has thus twice in our days blossomed forth from
Flemish soil, has been achieved on different paths. Maeterlinck has
found it by listening to the mysticism of silence, Verhaeren by
listening to the noise of life. He has found his new God not in the
darkness of dreams but in the light of streets, in all places where men
bestir themselves, and where from heavy hours the trembling flower of
joy is born.
FOOTNOTES:
[1] 'La Conquête' (_La Multiple Splendeur_).
[2] 'À la Gloire du Vent' (_La Multiple Splendeur_).
[3] 'L'Eau' (_Les Visages de la Vie_).
[4] 'Au Bord du Quai' (_Ibid._)
[5] 'La Conquête' (_Les Forces Tumultueuses_)
[6] 'Les Cultes' (_Ibid._)
[7] 'Les Villes' (_Les Forces Tumultueuses_).
[8] 'La Ferreur' (_La Multiple Splendeur_).
[9] 'Vers le Futur' (_Les Villes Tentaculaires_).
[10] 'La Conquête' (_Les Forces Tumultueuses_).
[11] 'Vers le Futur' (_Les Villes Tentaculaires_).
[12] 'La Recherche' (_Ibid._).
[13] 'L'Erreur' (_Les Forces Tumultueuses_).
[14] 'La Ferveur' (_La Multiple Splendeur_).
[15] 'Méditation' (_Les Moines_).
[16] 'Les Penseurs' (_La Multiple Splendeur_).
[17] 'La Science' (_Les Forces Tumultueuses_).
[18] 'L'Action' (_Les Visages de la Vie_).
[19] 'La Science' (_Les Forces Tumultueuses_).
[20] 'Les Penseurs' (_La Multiple Splendeur_).
[21] 'La Science' (_Les Forces Tumultueuses_).
[22] 'Les Penseurs' (_La Multiple Splendeur_).
[23] 'La Mort' (_La Multiple Splendeur_).
[24] 'La Recherche' (_Les Villes Tentaculaires_).
Public-domain text, read in full here on John Shaqi.
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