delight of a fresh young nation in its beautiful and yet unfathomed power. FOOTNOTES: [1] 'Ma Race' (_Les Forces Tumultueuses_). YOUTH IN FLANDERS Seize, dix-sept et dix-huit ans! O ce désir d'être avant l'âge et le vrai temps Celui Dont chacun dit Il boit à larges brocs et met à mal les filles! É.V., _Les Tendresses Premières_. The history of modern Belgian literature begins, by a whim of chance, in one and the same house. In Ghent, the favourite city of the Emperor Charles V., in the old, heavy Flemish town that is still girdled with ramparts, lies, remote from the noisy streets, the grey Jesuit college of Sainte-Barbe. A cloister with thick, cold, frowning walls, mute corridors, silent refectories, reminding one somewhat of the beautiful colleges in Oxford, save that here there is no ivy softening the walls, and no flowers to lay their variegated carpet over the green courts. Here, in the seventies, two strange pairs of boys meet on the school-benches; here among thousands of names are four which are destined in later days to be the pride of their country. First, Georges Rodenbach and Émile Verhaeren, then Maeterlinck and Charles van Lerberghe--two pairs of friendships, both of which are now torn asunder by death. The weaker, the more delicate of the four, Georges Rodenbach and Charles van Lerberghe, have died; Emile Verhaeren and Maeterlinck, the two heroes of Flanders, are still growing and not yet at the zenith of their fame. But all four began their course in the old college. The Jesuit fathers taught them their humanities, and even to write poems--in Latin, it is true, to begin with; and in this exercise, strange to say, Maeterlinck was excelled by van Lerberghe with his more instinctive sense of form, and Verhaeren by the more supple Georges Rodenbach. With rigorous earnestness the fathers trained them to respect the past, to have faith in conventional things, to think in old grooves, and to hate innovations. The aim was not only to keep them Catholics, but to win them for the priesthood: these cloister walls were to protect them from the hostile breath of the new world, from the freshening wind which, in Flanders as everywhere else, was assailing the growing generation.