mysterious mechanism in all skilled handiwork, and all the petty cares and perplexities of these many scattered little souls of life which, combined, are the soul of a whole land. And therefore Verhaeren is the only one among modern poets in the French tongue who is really popular with his countrymen of all ranks. He still goes in and out among them as their equal, sits in their circle even now, when fame has long since shown him his place among the best and noblest, chats with the peasants in the village inn, and loves to hear them discussing the weather and the harvest and the thousand little things of their narrow world. He belongs to them, and they belong to him. He loves their life, their cares, their labour, loves this whole land with its tempests raging from the north, with its hail and snow, its thundering sea and lowering clouds. It is with pride that he claims kindred with his race and land; and indeed there is often in his gait and in his gestures something of the peasant trampling with heavy steps and hard knee after his plough; and his eyes 'are grey as his native sea, his hair is yellow like the corn of his fields.' These elemental forces are in his whole being and production. You feel that he has never lost touch with Nature, that he is still organically connected with the fields, the sea, the open air; he to whom spring is physically painful, who is depressed by relaxing air, who loves the weather of his home-land, its vehemence, and its savage, tameless strength.