But no fear takes him at this thought. Verhaeren is a poet who loves paroxysm. And just as in his physical illness he had called out in the deepest joy for the intoxication of illness, for its exasperation, for death, so now his psychic illness demands its intoxication, the dissolution of all order, its most glorious foundering: madness. Here, too, the pleasure in the quest of pain is intensified to the highest superlative, to a voluptuous joy in self-destruction. And as sick men amid their torments scream of a sudden for death, this tortured man screams in grim yearning for madness: Aurai-je enfin l'atroce joie De voir, nerfs par nerfs, comme une proie, La démence attaquer mon cerveau?[16] He has measured all the deeps of the spirit, but all the words of religion and science, all the elixirs of life, have been powerless to save him from this torment. He knows all sensations, and there was no greatness in any of them; all have goaded him, none have exalted him or raised him above himself. And now his heart yearns ardently for this last sensation of all. He is tired of waiting for it, he will go out to meet it: 'Je veux marcher vers la folie et ses soleils.'[17] He hails madness as though it were a saint, as though it were his saviour; he forces himself to 'croire à la démence ainsi qu'en une foi.'[18] It is a magnificent picture reminding one of the legend of Hercules, who, tortured by the fiery robe of Nessus, hurls himself on the pyre to be consumed by one great flame instead of being wretchedly burnt to death by a thousand slow and petty torments. Here the highest state of despair is reached; the black banner of death and the red one of madness are furled together. With unprecedented logic Verhaeren, despairing of an interpretation of life, has exalted senselessness as the sense of the universe. But it is just in this complete inversion that victory already lies. Johannes Schlaf, in his masterly study, has with great eloquence demonstrated that it is just at the moment when the sick man cries out like one being crucified, 'Je suis l'immensément perdu,'[19] just when he feels he is being drawn into the bosom of the infinite, that he is redeemed and delivered. Just this idea, which here had whipped the little pain to the verge of madness, À chaque heure, violenter sa maladie; L'aimer, et la maudire,[20]