Émile Zola, Novelist and Reformer: An Account of His Life & Work — John Shaqi
Émile Zola, Novelist and Reformer: An Account of His Life & WorkVizetelly, Ernest Alfred
General
Émile Zola, Novelist and Reformer: An Account of His Life & Work
Vizetelly, Ernest Alfred
Zola, Émile, 1840-1902
Literature flourished, and cast upon the reign the glory which it
failed to glean on other fields, for little came from Algerian
exploits, however dashing, and none at all was harvested by an
adventurous diplomacy. But a generation of remarkable writers
had arisen, some among them great, many of them eminent in their
respective spheres. In 1840, no doubt, the shadows were gathering
around Chateaubriand, Casimir Delavigne could see his transient
popularity declining, Alfred de Vigny's best work was already done;
but Hugo, "Victor in drama, victor in romance," pursued with undimmed
lustre his triumphal course. Moreover, Lamartine had just issued his
"Recueillements poétiques," and Musset was publishing his tales in
prose. Meantime, Michelet and the Thierrys gave life to History; while
Ste. Beuve--when not wandering after petticoats, and meditating on
that "Livre d'Amour" which he was to produce three years later, and
afterwards to destroy, as far as possible, with his own hands--was
penning those Monday criticisms which may still be read with so much
profit as well as pleasure.
Gautier was in Spain, having left the critical arm-chair of "La Presse"
to the gifted and ill-fated Gérard de Nerval; but Janin discoursed
in the "Débats" with his usual flippancy, at one moment suggesting
(in ignorance that any "Mrs. Grundy" would ever assert herself) that
Paul de Kock and his indecorum were best suited to the English taste,
whereas Monsieur de Balzac might well seek popularity in Russia.
Thither, as it happened, the great delineator of "La Comédie Humaine"
repaired for the first time towards the close of that year, which
found him in a despondent mood. In March, "Vautrin" had been produced
and promptly laid under interdict, because Frédérick Lemaître, who
impersonated the great rascal, had "made himself a head" like the
King's. And sixteen volumes and twenty acts, written in a twelvemonth,
Balzac complained, had not brought him freedom from pecuniary worries,
even though the proceeds amounted to one hundred and fifty thousand
francs.
Public-domain text, read in full here on John Shaqi.
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