Émile Zola, Novelist and Reformer: An Account of His Life & WorkVizetelly, Ernest Alfred
General
Émile Zola, Novelist and Reformer: An Account of His Life & Work
Vizetelly, Ernest Alfred
Zola, Émile, 1840-1902
Among writers, moreover, there are always many whose aim is not mere
amusement. Some openly declare instruction, enlightenment, to be their
purpose. Some are only half conscious of their mission, some not at
all, and it happens not unfrequently that a lesson is conveyed in books
where it has been never intended. At one time the drama was the form
of literature which appealed most successfully to the greater number.
The novel at last acquired a similar position, and it followed that
the writer who wished to reach the greater number had to approach
them as a novelist. That had been done long before the time of Zola,
who was both a writer with a purpose and one who wished to reach the
majority. Now, if an author desire to bring about some reformation of
the community, it is natural that he should begin by portraying it.
If he wish to elucidate certain social, scientific, and psychological
problems for the common good, it is essential that he should in the
first case state them. In that event, say some pedants, he must confine
himself to treatises of the accepted form. But the author answers no,
for such treatises would not reach the greater number, and his purpose
would then remain unfulfilled. To reach them he must approach them in
the only literary form for which they care: he must embody his views in
novels. "I have, in my estimation," said Zola, "certain contributions
to make to the thought of the world on certain subjects, and I have
chosen the novel as the best means of communication. To tell me that I
must not do so is nonsense. I claim it as my right, and who are you to
gainsay it?"
But let us pass to another point. The oft-repeated assertion that
Zola confined himself to portraying the ulcers and sores of life is
contrary to fact. He undoubtedly found more evil than good in the
community, and he insisted on the evil because it was that which needed
remedying. But he blamed nobody for extolling the higher side of life.
He denounced the writers who cast a deceptive and often poisonous
glamour over the imperfections of the world, he railed at many of
the people who pretended to be very good, for he was not deceived by
hypocrisy and cant; but, at the same time, he never held that mankind
was naturally evil. He attributed its blemishes to its social systems,
its superstitions, the thousand fallacies amid which it was reared, and
his whole life was a battle with those fallacies, those superstitions,
and those systems.
Public-domain text, read in full here on John Shaqi.
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