Émile Zola, Novelist and Reformer: An Account of His Life & Work — John Shaqi
Émile Zola, Novelist and Reformer: An Account of His Life & WorkVizetelly, Ernest Alfred
General
Émile Zola, Novelist and Reformer: An Account of His Life & Work
Vizetelly, Ernest Alfred
Zola, Émile, 1840-1902
There were also the villages, whose houses, at times, were mere hovels
of rubble and boards, some squatting amid muck-heaps, and dingy with
woeful want; others more roomy and cheerful, with roofs of pinkish
tiles. Strips of garden, victoriously planted amid stony soil,
displayed plots of vegetables enclosed by quickset hedges. Much of the
aridity of the region had arisen from the ruthless deforesting of the
hills; formerly the falling leaves had spread rich vegetable soil over
the mountain flanks, there had been good pasture for sheep where barren
crags alone were left, and the climate, equalised by the moisture of
the woods, had been less abrupt and violent in its changes.[15] Yet,
in Zola's youth, as now, "wherever there was the smallest spring, the
smallest brook, the glowing land still burst into powerful vegetation,
and a dense shade prevailed, with paths lying deep and delightfully
cool between plane trees, horse-chestnuts, and elms, all growing
vigorously."[16]
Those various scenes were a delight to Zola and his friends. "They
craved for the open air, the broad sunlight, the sequestered paths in
the ravines. They roamed the hills, rested in green nooks, returned
home at night through the thick dusk of the highways. In winter they
relished the cold, the frosty, gaily echoing ground, the pure sky,
and the sharp atmosphere. In summer they always assembled beside the
river--the willow-fringed Arc--for the water then became their supreme
passion, and they spent whole afternoons bathing, swimming, paddling,
and stretching themselves to dry on the fine sun-warmed sand. In the
autumn they became sportsmen--inoffensive ones, for there is virtually
no game, scarcely even a rabbit, in the district, and at the most one
might bring down an occasional petty-chap, fig-pecker, or some other
small bird. But if, now and again, they fired a shot, it was chiefly
for the pleasure of making a noise, and their expeditions always ended
in the shade of a tree, where they lay on their backs, chatting freely
of their preferences."[17]
A little later, when Zola's young muse essayed her flight, he recalled
those days of Provence, singing:
Public-domain text, read in full here on John Shaqi.
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