In order to demonstrate the extreme exaggeration of this view, and to show that with war, as with the greater crimes, moral greatness is only connected accidentally, occasionally, or in romance, it is necessary to examine somewhat closely the warfare of the fourteenth century. Chivalry, according to certain historians, was during that century in process of decline; but the decline, if any, was rather in the nature of its forms and ceremonies than of its spirit or essence. It was the century of the most illustrious names in chivalry, in France of Bertrand du Guesclin, in England of the Black Prince, Sir Walter Manny, Sir John Chandos. It was the century of the battles of Crecy, Poitiers, Avray, and Navarette. It was the century of the Order of the Star in France, of the Garter and the Bath in England. Above all, it was the century of Froissart, who painted its manners and thoughts with a vividness so surpassing that to read his pages is almost to live in his time. So that the fourteenth century may fairly be taken as the period in which chivalry reached its highest perfection, and in which the military type of life and character attained its noblest development. It is the century of which we instinctively think when we would imagine a time when the rivalry of brave deeds gave birth to heroism, and the rivalry of military generosity invested even the cruelties of the battle-field with the halo of romance. Imagination, however, plays us false here as elsewhere. Froissart himself, who described wars and battles and noble feats of arms with a candour equal to his honest delight in them, is alone proof enough that there seldom was a period when war was more ferociously conducted; when the laws in restraint of it, imposed by the voice of morality or religion, were less felt; when the motives for it as well as the incentives of personal courage, were more mercenary; or when the demoralisation consequent upon it were more widely or more fatally spread. The facts that follow in support of this conclusion come, in default of any other special reference, solely from that charming chronicler; allusions to other sources being only necessary to prove the existence of a common usage, and to leave no room for the theory that the cases gathered from Froissart were but occasional or accidental occurrences.