To speak of his death as premature would be scarcely a misapplication of
the word. Although Millais had completed his sixty-seventh year he was
still in art a young man. His vigour had not waned, and there was no
perceptible diminution of his artistic vitality even in those last works
which he painted under the shadow of nearly impending death. To a man of
his splendid physique and buoyant temperament age would have come
slowly, and the inevitable degeneration of his powers would have not
begun for many more years. The possibility of great achievement remained
to him, and it would be true to say that his death robbed us of much
which would have added greatly to the sum total of British art. Yet we
may be grateful to fate for allowing him to develop the promise of his
youth in the splendour of his maturer years; it is so often the lot of
the precocious genius to die young with his mission but half fulfilled.
If death had come to Millais as it did to Bonington or Fred Walker, our
loss would have been sad indeed.
In discussing Millais as an artist the part which his personality played
in making him what he was must by no means be overlooked. Something of
the vitality and the virility of his art was due to the way in which he
kept touch with the life about him, and interested himself in people and
things. He was no recluse who fed in secret upon his own ideas, or
narrowed his outlook by hedging himself round with prejudices and
preferences for one special class of artistic material. Instead, he went
out into the world and acquired his impressions of humanity in all
directions and at first hand, finding much pleasure in association with
his fellow-men. To his own human nature he gave free rein; he was a keen
sportsman, a lover of children--of whose ways he had, as he proved in
scores of pictures, a perfect understanding--and a man who was always
happy in congenial society, and always welcome. He lived his life, in
fact, largely, genially, and wholesomely, and he was as much unspoiled
by the prosperity which came to him in his maturer years as he was
unshaken by the opposition which he had to face in that brief period of
his youth when, as he used to say himself, he was "so dreadfully
bullied."
Public-domain text, read in full here on John Shaqi.
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