Millbank; $b or, Roger Irving's ward. A novelHolmes, Mary Jane
Philosophy
Millbank; $b or, Roger Irving's ward. A novel
Holmes, Mary Jane
American fiction -- 19th century
“Dirty as the rot,” was her comment, as she saw the marks of car-dust
and smoke cinders on the fat neck and arms and hands. “She or’to have a
bath, and she must, too. Here, Ruey, bring me some warm water, and fetch
the biggest foot-tub, and a piece of castile soap, and a crash-towel,
and you boys, go out of here, both of you. I’ll see that the youngster
is taken care of.”
Roger knew from the tone of her voice that Baby was safe with her, and
he left the kitchen with his spirits so much lightened that he began to
hum a popular air he had heard in the streets in St. Louis.
“Oh, Roger, _singin’_, with grandpa dead,” Frank exclaimed; and then
Roger remembered the white, stiffened form upstairs, and thought himself
a hardened wretch that he could for a moment have so forgotten his loss
as to sing a negro melody.
“I did not mean any disrespect to father,” he said softly to Frank, and
without going back to the parlor, he stole up to his own room, and
kneeling by his bedside, said the familiar prayer commencing with “Our
Father,” and then cried himself to sleep with thinking of the dead
father, who could never speak to him again.
CHAPTER IV.
THE MORNING OF THE FUNERAL.
If Frank Irving had been poor, instead of the grandson of a wealthy man,
he would have made a splendid carpenter; for all his tastes, which were
not given to horses, ran in the channel of a mechanic, and numerous were
the frames and boxes and stools which he had fashioned at Millbank with
the set of tools his grandfather had bought him. The tools had been kept
at Millbank, for Mrs. Walter Scott would not have her house on Lexington
Avenue “lumbered up;” and with the first dawn of the morning after
Roger’s return, Frank was busy in devising what he intended as a cradle
for the baby. He had thought of it the night before, when he saw it on
the settee; and, now, with the aid of a long, narrow candle-box and a
pair of rockers which he took from an old chair, he succeeded in
fashioning as uncouth a looking thing as ever a baby was rocked in.
“It’s because the sides are so rough,” he said, surveying his work with
a rueful face. “I mean to paper it, and maybe the darned thing will look
better.”
Public-domain text, read in full here on John Shaqi.
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