Millbank; $b or, Roger Irving's ward. A novelHolmes, Mary Jane
Philosophy
Millbank; $b or, Roger Irving's ward. A novel
Holmes, Mary Jane
American fiction -- 19th century
“You see I have stolen a march upon you, Nannie,” Alice said; “but you
may unlock that largest trunk, and help me put up my things.”
The trunk was opened, and with Nannie’s assistance Alice hung away all
her pretty dresses, which were useless in this retired neighborhood,
where they saw so few people. The tucked muslin, which Magdalen had
admired in the picture, Nan folded carefully, smoothing out the rich
Valenciennes lace and laying it away in a drawer, to grow yellow and
limp, perhaps, ere it was worn again. Alice’s chief occupation at
Beechwood was to wander through the grounds or climb over the mountains
and hills, with Nan or the house dog Rover as escorts; and so she seldom
wore the dresses which had been the envy of her schoolmates. She cared
little for dress, and when at last she went down to the breakfast room
to meet her stately aunt, she wore a simple blue gingham, and a
white-linen apron, with dainty little pockets all ruffled and fluted and
looking as fresh and pure as she looked herself, with her wavy hair, and
eyes of violet blue.
Her aunt, in her iron-gray puffs, and morning-gown of silvery gray
satin, was very precise and ceremonious, and kissed her graciously, and
then presided at the table with as much formality as if she had been
giving a state dinner. There were strawberries again, and flaky rolls,
and fragrant chocolate, and a nice broiled trout from a brook among the
hills, where Tom had caught it for his young lady, who, with a
schoolgirl’s keen appetite, ate far too fast to please her aunt, who,
nevertheless, would not reprove her that first morning home. Breakfast
being over, Alice, who was expecting her father that day, went to his
room to see that it was in order. It adjoined the apartment where she
had knelt in tears the preceding night, and there was a door between the
two; but, while the other had been somewhat bare of ornament and
handsome furniture, it would seem as if the master of the house had
racked his brain to find rare and costly things with which to deck his
own private room. There were marks of wealth and luxury visible
everywhere, from the heavy tassels which looped the lace curtains of the
alcove where the massive rosewood bedstead stood, to the expensive
pictures on the wall,—French pictures many of them,—showing a taste
which some would call highly cultivated, and others questionable. Alice
detested them, and before one, which she considered the worst, she had
once hung her shawl in token of her disapprobation. She was accustomed
to them now, and she merely gave them a glance, and then moved on to a
pencil sketch, which she had never seen before. It was evidently a
graveyard scene, for there were evergreens and shrubs, and a tall
monument, and near them a little barefoot girl, with a basket of
flowers, which she was laying on the grave. Alice knew it was her
father’s drawing, and she studied it intently, wondering where he got
his idea, and who was the little girl, and whose the grave she was
Public-domain text, read in full here on John Shaqi.
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