Millbank; $b or, Roger Irving's ward. A novelHolmes, Mary Jane
Philosophy
Millbank; $b or, Roger Irving's ward. A novel
Holmes, Mary Jane
American fiction -- 19th century
decorating with flowers. Then she turned from the picture to her
father’s writing-desk, and opened drawer after drawer until she came to
one containing nothing but a faded bouquet of flowers, such as the girl
in the picture might have been putting on the grave, and a little lock
of yellow hair. Pinned about the hair was a paper, which bore the same
date as did that letter which Roger Irving guarded with so much care.
Alice had heard of Roger Irving from Frank, who called him “uncle” when
speaking of him to her. She had him in her mind as quite an elderly man,
with iron-gray hair, perhaps, such as her auntie wore, and she had
thought she would like to see Frank’s paragon of excellence; but she had
no idea how near he was brought to her by that faded bouquet and that
lock of golden hair, which so excited her curiosity.
Her father had always been a mystery to her. That there was something in
his past life which he wished to conceal, she felt sure, just as she was
certain that he was to blame for that shattered wreck which sometimes
made Beechwood a terror and a dread, but to which Alice clung with so
filial devotion. There was very little in common between Alice and her
father. A thorough man of the world, with no regard for anything holy
and good, except as it helped to raise him in the estimation of his
fellows, Mr. Grey could no more understand his gentle daughter, whose
life was so pure and consistent, and so constant a rebuke to him, than
she could sympathize with him in his ways of thinking and acting. There
was a time when in his heart he had said there was no God,—a time when,
without the slightest hesitancy, he would have trampled upon all God’s
divine institutions and set his laws at naught; and the teachings of one
as fascinating and agreeable as Arthur Grey had been productive of more
harm than this life would ever show, for they had reached on even to the
other world, where some of his deluded followers had gone before him.
But as Alice grew into girlhood, with her sweet face and the example of
her holy Christian life, there was a change, and people said that Arthur
Grey was a better man. Outwardly he was, perhaps. He said no longer
there was no God. He _knew_ there was when he looked at his patient,
self-denying daughter, and he knew that Grace alone had made her what
she was. For Alice’s sake he admitted Alice’s God, and, because he knew
it helped him in various ways, he paid all due deference to the forms of
religion, and none were more regular in their attendance at the little
church on the mountain side than he, or paid more liberally to every
religious and charitable object. He believed himself that he had
reformed, and he charged the reform to Alice and the memory of a
golden-haired woman whom he had loved better than he had since loved a
human being, save his daughter Alice. But far greater than his love for
his daughter was his love of self and because it suited him to do it he
Public-domain text, read in full here on John Shaqi.
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