Meanwhile Millet was occupied with subjects which he thought would
appeal to the general public. A number of classical pictures date from
this epoch. It was an endeavour on his part to fall in as far as
possible with the current taste, and so supply means of subsistence
for his family. At the same time he did not neglect his favourite
subjects, and many are the wonderful studies of peasant life which
date from these years. His reputation had so far advanced that he was
offered the position of teacher of drawing in the college at
Cherbourg. It must have been only after prolonged deliberation that he
refused the proffered post. Here a certain annual stipend was assured
him, and if it was not large in itself it would at any rate suffice to
keep the wolf from the door. He preferred, however, to return to Paris
and work out his own destiny as best he might.
Millet, who lived at this time in the Rue Rochechouart, began to
surround himself with that little group of friends who remained
faithful to him until the end of his career. Amongst the earliest were
Charles Jacque and Diaz: the latter had several clients amongst the
small dealers, whom he induced to visit Millet's studio and make now
and again a small purchase.
Millet now became a fairly regular contributor to the Salon, but
generally sent some classical or religious picture as well as one of
his peasant subjects. For example, in 1848 he sent the marvellous
study of "The Winnower," which we all know so well, accompanied by a
canvas, "The Captivity of the Jews at Babylon." The latter, however,
was so badly received that he utilised the canvas upon its return for
a large picture of a "Shepherdess tending her Sheep."
In spite of the headway that he was making, the struggle for existence
seemed keener than ever, and but for the kindness of friends he and
his family would frequently have actually wanted for food. A timely
advance of one hundred francs obtained for him from the Minister of
Fine Arts, together with a commission from the State, for which he was
paid the sum of eighteen hundred francs, were for some time the only
relief he obtained from his embarrassments. That he was not particular
as to how he earned his daily bread is apparent from the fact that he
did not despise an order for a shop sign for a midwife, for which he
was paid the miserable amount of thirty francs.
Public-domain text, read in full here on John Shaqi.
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