Milly: At Love's Extremes; A Romance of the SouthlandThompson, Maurice
Philosophy
Milly: At Love's Extremes; A Romance of the Southland
Thompson, Maurice
Southern States -- Fiction
"It was a clever turn of luck," lightly responded Reynolds, "or,
perhaps I should say fate. No doubt it is ordered that you and I
shall yet work out together some subtle decree of Providence. After
all, incidents and events do not come of haphazard."
"I never philosophize, you know," said Moreton. "I am never
expecting any thing save the very thing I am looking and striving
for. I was turkey hunting when I found your outlandish cabin. What
the deuce are you doing over there?"
"That is a hard question. I have spent some delightfully quiet,
uneventful years in that house. I find good shooting at times, the
air is pure and sweet, the water is excellent, the retirement is
perfect." Reynolds paused for a time and then continued: "Oh well, I
had grown tired of wandering and rather disgusted with the world in
general and I fancied I should enjoy being a hermit for a while. I
tried it and found it charming."
Moreton thought he detected evidence in his friend's manner of a
reserve of some stronger reasons for thus hiding himself away from
the world; but he took the explanation without further question.
"That's a pretty lass of White's," Moreton said, after the
conversation had rambled over such parts of Reynolds' life for the
past few years as he cared to lay bare. "Her sweet, solemn, smiling,
troubled face has haunted me ever since I saw her."
Reynolds laughed.
"Don't make too much fun of the poor little thing," he said,
half-seriously, half lightly. "Hers is a vacant lot. She is as
scentless and colorless as she is cramped and undeveloped. I can't
imagine what she was made for."
"But what a form and what a haunting, hungry, sweet face she has!"
Reynolds looked with a sudden surprise into Moreton's eyes, his own
dilating. Presently he laughed again.
"I do believe you are in earnest," he exclaimed, in a tone at once
deprecatory and querulous, "for you couldn't have the heart, even at
this distance, to ridicule the unfortunate little creature. In this
region the poor whites are all deplorably ignorant and queer; but
she--she is a pathetic cipher, poor thing."
"Physically she is perfect," insisted Moreton. "Can it be possible
that you, a poet and artist, have all these years overlooked,
ignored, waived aside such a model? I tell you, Reynolds, she's a
genuine wood nymph, don't you know, a dryad whom the satyrs have
scared out of her wits. I never saw such eyes, such lips and----"
"Oh come now," said Reynolds, "I am not going to listen to such
nonsense. Besides, it strikes me as next to brutal to think of
discussing the charms of an arid, dull, ugly little cracker
girl----well no, not a cracker, either, a Sandlapper is the local
phrase. The fact that such girls exist and must become women and be
mothers of like beings, is to me a subject that it is a virtue to
shun. On such a theme seriousness is disheartening, levity is
diabolical."
Public-domain text, read in full here on John Shaqi.
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