Milly: At Love's Extremes; A Romance of the SouthlandThompson, Maurice
Philosophy
Milly: At Love's Extremes; A Romance of the Southland
Thompson, Maurice
Southern States -- Fiction
On an evening a day or two prior to the time set for the dinner at
Mr. Noble's, Moreton had a little adventure. It chanced that some
business with a foreman of one of his iron establishments had kept
him until some time after dark in the office of the latter. In going
back to his hotel he took a short route which led him through one of
the worst streets in the city. Passing by the brilliantly lighted
dens he could hear the clink of glasses and the boisterous voices of
the drinkers and hangers-on. Once or twice he was forced to leave
the side-walk in order to avoid groups of wrangling fellows who
appeared on the point of going into a free-for-all fight. It was
while making his way around one of these clumps of would-be rioters
that a voice of peculiarly familiar accent reached his ear. It was a
high tenor, drawling as follows:
"Hit air my bottom erpinion 'at I ken whirp out the last dad-burned
one uf ye, an' 'en not dull the p'int uf this air ole frog-sticker
nuther."
"Well, why don't ye do it? Talk's talk, but doin' it is another
thing intirely," retorted a heavier voice with just a trace of Irish
in it.
"Hit ain't fur me to go to cuttin' uf ye, ef ye keeps off'n me; but
I'll jest be b'iled up an' chawed over ef I don't let yer back bone
out in front uf ye, ef ye starts onto me. An' now ye've hearn me,"
was the tenor's quick response.
Moreton stopped short and glanced sharply into the midst of the
group. There was White with a long knife in one hand and a heavy
stone in the other, his wizened face and sunken eyes full of defiance
and his gaunt frame rigid but ready for desperate action.
"Kem on, ye sneakin' keerd-shufflers, an' I'll jest cut ye inter
striffins," he continued; "this here knife hit air a eetchin' fur yer
livers an' lights, hit air!"
Just then a pistol gleamed in the hand of the man nearest Moreton,
and the clear, keen click of the lock was sharply audible. It was a
slender, but very dangerous sound.
"Make shore fire with yer shootin-iron," White added quickly, his
voice rising into a thin falsetto, "fur ef ye don't hit air good-by
ter you, hit air!" As he spoke he prepared to rush forward.
On the instant there would have been deadly work, had not Moreton
interfered.
"Here! what does this mean?" he exclaimed in a loud, authoritative
way, stepping boldly into the midst of the men.
His commanding figure, cool bearing and patrician dress wrought an
effect of which the sturdiest policeman might well have been proud.
"Come with me, Mr. White," he continued, "and you fellows had better
get to your homes in quick time."
Public-domain text, read in full here on John Shaqi.
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