Milly: At Love's Extremes; A Romance of the SouthlandThompson, Maurice
Philosophy
Milly: At Love's Extremes; A Romance of the Southland
Thompson, Maurice
Southern States -- Fiction
Reynolds got up from his chair and began walking to and fro, his head
thrown back, his hands clasped behind him. He frowned and pressed
his lips over his cigar so that deep furrows came on each side of his
mouth.
"Being in love appears to render you gloomy," Moreton lightly
exclaimed, as he glanced into his friend's face. "Love is like wine,
it makes some men surly whilst it makes others merry. Now I----"
Reynolds waved his hand impatiently and said almost abruptly:
"If she really loved her husband, in the first place, it must have
been a dreadful ordeal she went through."
"Oh, she must have been very young, scarcely more than a child," said
Moreton, as if hurrying to relieve Reynolds, if he could; "and I
should think she has outgrown it in a great degree, by this time.
She seems quite cheerful and in superb health."
Reynolds turned as he came near the middle of the room, and facing
Moreton, appeared on the point of saying some momentous thing. A
gloomy cloud of excitement had settled on his countenance. His lips
faltered at the point of speech, and with a strange smile he resumed
his pacing to and fro. Moreton's eyes followed him with a look of
puzzled interest. Presently he laughed outright and exclaimed
chaffingly:
"You make me think of that little girl of White's when you look like
that, Reynolds. Your eyes are for all the world like hers, with
those mysterious sad shadows in them. What the deuce is the matter?"
Reynolds' countenance changed abruptly; he essayed to laugh, but
there was no sincerity in the effort. He shook his head and answered:
"My head is all in a whirl and I believe I am excited; but you must
remember that I am hard hit and awfully in earnest." His attempt at
making light of his show of feeling was not more successful than his
laughter had been. He saw that Moreton felt its hollowness, and he
made haste to add: "It has always been thus with me. I am a creature
of extremes, a straw in the currents of passion."
From Moreton's rather phlegmatic point of view, this excitement was
something inexplicable. He saw no reasonable cause for it in the
situation, and his mind at once reverted to certain indications of a
secret trouble observable in Reynolds ever since their first meeting
in Birmingham. Naturally enough the rather strange home chosen by
Reynolds amid the sterile mountains and among the rude, uninteresting
mountaineers, came up to emphasize Moreton's suspicion that all was
not well with his friend.
"What especial current of passion is tossing you just now, to render
you so restless and moody?" Moreton demanded. "One would think you
were meditating something as dark as suicide or assassination."
Public-domain text, read in full here on John Shaqi.
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